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THE AGE OF ADALINE Blake Lively plays a woman who is im­mor­tal and eternally young. For years, she has lived alone. When she meets a man (Michiel Huis­man) she could love, but who could also cause her to lose her im­mor­tal­ity, she faces a big de­ci­sion. Rated PG-13. 110 min­utes. Re­gal Sta­dium 14, Santa Fe; Vi­o­let Crown, Santa Fe; Dream­Catcher, Es­pañola. (Not re­viewed)

CIN­DERELLA Direc­tor Ken­neth Branagh tack­les the famed fairy tale, shoot­ing it as an all-ages cos­tume drama de­void of singing mice. Lily James plays the ti­tle char­ac­ter, Richard Mad­den is Prince Charm­ing, Cate Blanchett plays the wicked step­mother, and He­lena Bon­ham Carter is the fairy god­mother. Rated PG. 112 min­utes. Re­gal Sta­dium 14, Santa Fe. (Not re­viewed)

DANNY COLLINS Al Pa­cino is the ti­tle char­ac­ter, an aging rock star who has been coast­ing by on his old ma­te­rial for years. When his manager (Christo­pher Plummer) dis­cov­ers a never-seen let­ter of en­cour­age­ment from John Len­non to Collins, the singer is in­spired to write his own songs and tend to his per­sonal life once more. In­spired by folk singer Steve Til­ston’s story. Rated R. 106 min­utes. Re­gal DeVar­gas, Santa Fe. (Not re­viewed)

EX MACHINA Nov­el­ist Alex Gar­land, who wrote screen­plays for some of Danny Boyle’s films (28 Days Later, Sun­shine), tries his hand at di­rect­ing with this sci-fi thriller about a com­puter coder (Domh­nall Glee­son) who is cho­sen by his bil­lion­aire boss (Os­car Isaac of In­side

Llewyn Davis) to test the AI of a pro­to­type for a fully hu­man­like an­droid. Gar­land shows a keen vis­ual eye with min­i­mal­ist cool­ness, and the in­ti­macy of the small cast lets the big ques­tions hang in the air nicely. His story steers clear of easy con­ven­tion, thanks in part to the sturdy act­ing. Rated R. 108 min­utes. Re­gal DeVar­gas, Santa Fe. (Robert Ker)

5TO7 In the world of up­town Man­hat­tan, a youngish cou­ple (An­ton Yelchin and Bérénice Mar­lohe) meet and fall in love. The only hitch is that she’s hitched. For­tu­nately, she’s in an open mar­riage, but the lovers can only con­duct their re­la­tion­ship be­tween 5 and 7 p.m., which, ap­par­ently, is a French thing. Frank Lan­gella and Glenn Close co-star. Rated R. 95 min­utes. The Screen, Santa Fe. (Not re­viewed)

FU­RI­OUS 7 This long-run­ning fran­chise be­gan with fairly sim­ple street rac­ing as The Fast and the Fu­ri­ous and now in­cludes a star-stud­ded cast that trav­els the globe us­ing wildly im­plau­si­ble meth­ods to com­bat ter­ror­ists, shadow armies, elab­o­rate hack­ing schemes, and more. The for­mula works, as each film seems more suc­cess­ful than the last. This en­try is the first for Kurt Rus­sell, Dji­mon Houn­sou, and Ja­son Statham (dis­count­ing an un­cred­ited cameo), but the last for Paul Walker, who died dur­ing film­ing and is given a touch­ing send-off. The film is more of the same — re­venge, fam­ily, bad jokes, and vroom vroom — but big­ger than ever. It runs a bit long, and the se­ries has al­ways had third-act strug­gles (How do you go over the top of over the top?), but, as ever, fans get their money’s worth. Rated PG-13. 137 min­utes. Re­gal Sta­dium 14, Santa Fe; Dream Catcher, Es­pañola. (Robert Ker)

GET HARD One of the hottest comics of the 2000s (Will Fer­rell) teams up with one of the hottest comics of the 2010s (Kevin Hart) for this pri­son film. Fer­rell plays a white-col­lar crim­i­nal who finds him­self in the big house, where he forms an un­likely friend­ship with an in­mate (Hart) who helps him get by, with of­ten wacky re­sults. Rated R. 100 min­utes. Re­gal Sta­dium 14, Santa Fe; Dream Catcher, Es­pañola. (Not re­viewed)

HOME An alien named Oh (voiced by Jim Par­sons) ar­rives on Earth and meets a hu­man named Tip (Ri­hanna). He turns her set of wheels into a hover car, and they go on a road trip around the world. This com­edy from Dream Works An­i­ma­tion looks vaguely like Lilo & Stitch, only with fart jokes and Steve Martin as an alien who de­liv­ers lines like “Give daddy some sugar.” Rated PG. 94 min­utes. Screens in 2-D only at Re­gal Sta­dium 14, Santa Fe; Dream Catcher, Es­pañola. (Not re­viewed)

KU­MIKO, THE TREA­SURE HUNTER Ku­miko, a soli­tary dreamer, be­liev­ing the stash of money Steve Buscemi’s char­ac­ter buries in the movie Fargo re­ally ex­ists, sets off on an adventure from her home in Tokyo to Min­nesota to seek it out — but money trou­bles and lan­guage bar­ri­ers threaten to dis­rupt her plans. Wrapped in a stolen blan­ket and armed only with her trea­sure map, compass, and a copy of Fargo, she braves the harsh win­ter snows on her quest. David and Nathan Zell­ner’s fa­ble is full of hu­mor and laced with fan­tasy, a mov­ing story about chas­ing one’s dreams. 4 p.m. Fri­day, May 1, only. Not rated. 105 min­utes. In English and Ja­panese with sub­ti­tles. Jean Cocteau Cinema, Santa Fe. (Michael Abatemarco)

LIT­TLE BOY Jakob Sal­vati plays Pep­per Flynt Bus­bee, a young child in the 1940s who idol­izes his dad (Michael Rapaport) and loves the ad­ven­tures they pre­tend to have. When his fa­ther is called away to fight in the war, Pep­per tries hard, through faith and imag­i­na­tion, to bring him back home. Kevin James, Emily Wat­son, and Tom Wilkin­son co-star. Rated PG-13. 100 min­utes. Re­gal Sta­dium 14, Santa Fe. (Not re­viewed)

THE LONG­EST RIDE The lat­est ro­mance based on a Ni­cholas Sparks book is this weepie that in­ter­twines two tales of po­ten­tially doomed love. Britt Robert­son plays a young woman who, just be­fore mov­ing to New York, meets a strap­ping bull rider (Scott East­wood) who teaches her how to buck a bronco. They’re in­spired by an old-timer (Alan Alda) who shares his own story of ro­mance. Rated PG-13. 139 min­utes. Re­gal Sta­dium 14, Santa Fe; Dream Catcher, Es­pañola.

(Not re­viewed) MONKEY KING­DOM The lat­est doc­u­men­tary from Dis­neyna­ture fol­lows a young monkey as it grows up and fights for sur­vival in an elab­o­rate simian so­ci­ety in the an­cient ru­ins of Southeast Asia. Tina Fey nar­rates. Rated G. 81 min­utes. Re­gal Sta­dium 14, Santa Fe; Vi­o­let Crown, Santa Fe. (Not re­viewed)

PAUL BLART: MALL COP 2 The Os­car sea­son be­gins early this year, when Kevin James once more grows out his mus­tache and hops aboard a Seg­way to re­gale us all with the ad­ven­tures of Paul Blart, mall cop. This time, the ac­tion spills out of the food court and over to Las Ve­gas. Rated PG. 94 min­utes. Re­gal Sta­dium 14, Santa Fe; Dream Catcher, Es­pañola. (Not

re­viewed) THE SEC­OND BEST EX­OTIC MARIGOLD HO­TEL The whole gang is back — most no­tably Judi Dench, Maggie Smith, and Bill Nighy — for an­other stay in the ho­tel for re­tired Brits in In­dia. This time, Richard Gere brings an Amer­i­can twist to the pro­ceed­ings, get­ting a few of the women all atwit­ter. Rated PG. 122 min­utes. Re­gal DeVar­gas, Santa Fe. (Not re­viewed) SEY­MOUR: AN IN­TRO­DUC­TION A chance meet­ing with the re­mark­able mu­si­cian Sey­mour Bern­stein in­spired ac­tor Ethan Hawke to di­rect this in­ti­mate and be­guil­ing doc­u­men­tary. Bern­stein with­drew from a se­ri­ous ca­reer as a con­cert pi­anist when he de­cided that tour­ing did not make him happy, and de­voted him­self in­stead to teach­ing, con­tem­plat­ing, and lov­ing mu­sic. He strews nuggets of wis­dom with­out be­ing self-con­scious or pompous about it. Bern­stein is the sort of el­der sage any­one would ben­e­fit from spend­ing time with, and view­ers can­not help but de­rive in­spi­ra­tion from their ex­po­sure to this kind, sen­si­tive, com­pas­sion­ate soul. No mu­sic lover should miss the op­por­tu­nity — nor should any­one else.

Rated PG. 84 min­utes. Cen­ter for Con­tem­po­rary Arts, Santa Fe. ( James M. Keller)

SONG FROM THE FOR­EST In the 1980s, New Jer­sey born eth­no­mu­si­col­o­gist Louis Sarno trav­eled to the forests of Cen­tral Africa to record the mu­sic of the Bayaka Pygmy tribe. He found the en­vi­ron­ment so ap­peal­ing that he de­cided not to re­turn to the U.S. Michael Obert’s med­i­ta­tive doc­u­men­tary looks at Sarno’s life as he brings his young half-Bayakan son to New York. Rather than fo­cus too much on Sarno’s past, Obert contrasts tribal and city life with an ob­jec­tive eye that high­lights the beauty of both places and ac­cen­tu­ates their dif­fer­ences with­out stat­ing a pref­er­ence for ei­ther one. Not rated. 98 min­utes. In English and Yaka with sub­ti­tles. Cen­ter for Con­tem­po­rary Arts, Santa Fe.

(Robert Ker) THE TALES OF HOFF­MANN This 1951 film rein­ter­pre­ta­tion of the Of­fen­bach opera, cre­ated by Michael Pow­ell and Emeric Press­burger, the team re­spon­si­ble for the twisted clas­sic ballet film The Red Shoes, has been newly re­stored. To call it the first lip-sync­ing mu­sic video (on film) is to do an injustice to the rad­i­cal idea that dancers should be cast to play al­most all the roles in­stead of singers. With si­lent-movie-style act­ing, an edited Of­fen­bach score, and sets that flow like a dance, the re­sult is a mind-blower, as over-thetop and vis­ually bizarre as movies come. The cast in­cludes ballet lu­mi­nar­ies Moira Shearer, Fred­er­ick Ash­ton, Léonide Mas­sine, Robert Help­mann, and Lud­milla Tché­rina. 1:30 p.m. Satur­day, May 2, only. Not rated. 128 min­utes. Jean Cocteau Cinema, Santa Fe. (Michael Wade Simp­son)

UN­FRIENDED Cy­ber­bul­ly­ing and teen sui­cide have been two big top­ics of con­ver­sa­tion lately. This hor­ror film tack­les both is­sues by at­tempt­ing to squeeze scares out of a story in which an on­line chat group is haunted by a friend who the mem­bers thought was dead. Rated R. 82 min­utes. Re­gal Sta­dium 14, Santa Fe; Dream­Catcher, Es­pañola. (Not re­viewed)

THE WA­TER DIVINER Rus­sell Crowe di­rected and stars in this his­tor­i­cal drama about an Aus­tralian farmer in 1919 who learns that his sons died in the Battle of Gal­lipoli. Af­ter his wife kills her­self, he trav­els to Turkey to bring his sons’ bod­ies home, and learns that one of them may still be alive. Rated R. 111 min­utes. Re­gal DeVar­gas, Santa Fe. (Not re­viewed)

WHILE WE’RE YOUNG Ben Stiller and film­maker Noah Baum­bach, who col­lab­o­rated on 2010’s

Green­berg, re-team to ex­plore the bit­ter­sweet com­plex­ity of mid­dle age once more. This time, Stiller and Naomi Watts play a mar­ried cou­ple whose lives are shaken up when they be­friend a cou­ple in their mid-twen­ties (Adam Driver and Amanda Seyfried). Rated R. 97 min­utes. Re­gal DeVar­gas, Santa Fe. (Not re­viewed)

WOMAN IN GOLD He­len Mir­ren plays Maria Alt­mann in this art-world thriller, based on true events. More than 50 years af­ter a 1907 por­trait of Alt­mann’s aunt is taken from her hus­band by the Nazis dur­ing World War II, their niece teams with an Amer­i­can lawyer (Ryan Reynolds) to fight the Aus­trian gov­ern­ment for her in­her­i­tance. The paint­ing is Gus­tav Klimt’s iconic Por­trait of Adele

Bloch-Bauer I. Rated PG-13. 109 min­utes. Re­gal DeVar­gas, Santa Fe. (Not re­viewed)

The Dead Lands at Jean Cocteau Cinema

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