OPEN­ING THIS WEEK

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THE AMER­I­CAN DREAMER

Not rated. 80 min­utes. Jean Cocteau Cin­ema. See re­view, Page 42.

BE­ING EVEL

Not rated. 112 min­utes. Cen­ter for Con­tem­po­rary Arts. See re­view, Page 46.

LIS­TEN TO ME MAR­LON

Film­maker Ste­van Ri­ley got ac­cess to hun­dreds of hours of au­dio­tape of Mar­lon Brando re­flect­ing on his life and his art, and has fash­ioned a re­mark­able ex­er­cise in some­thing like doc­u­men­tary au­to­bi­og­ra­phy. The tapes, which the ac­tor recorded over the course of much of his life, in­clude mus­ings on roles, celebrity, self-crit­i­cism, fam­ily, and the highs and lows of his long ca­reer. The tapes are but­tressed with film clips, TV in­ter­views, screen tests, and TV cov­er­age of sev­eral tragedies in his life, in­clud­ing the mur­der trial of his son and the sui­cide of his daugh­ter. Most bizarre is a dig­i­tized im­age of him­self that he sat for in 1980, proph­esy­ing a day when ac­tors long gone will be dig­i­tally in­serted into new movies. While this doc­u­men­tary is by no means a com­plete pic­ture, it’s a fas­ci­nat­ing self-por­trait of the man who was one of our great­est ac­tors — when he felt like it. Not rated. 95 min­utes. Cen­ter for Con­tem­po­rary Arts. (Jonathan Richards)

MISTRESS AMER­ICA

Rated R. 84 min­utes. Vi­o­let Crown. See re­view, Page 48.

RIDE THE PINK HORSE

Not rated. 101 min­utes. Jean Cocteau Cin­ema. See story, Page 32.

STEVE JOBS: THE MAN IN THE MA­CHINE

Rated R. 128 min­utes. Vi­o­let Crown Cin­ema. See re­view, Page 44.

THE TRANS­PORTER RE­FU­ELED

Frank Martin — the gruff, no-non­sense mer­ce­nary — is back for his fourth go-around. This time, how­ever, Jason Statham is rest­ing his knuck­les, ced­ing the part to Ed Skrein. There’s lit­tle chance that Skrein will kick as much butt or mum­ble as threat­en­ingly as Statham, but di­rec­tor Camille De­la­marre prob­a­bly hopes that if he fills the screen with enough beau­ti­ful women and fast cars, then no­body will no­tice. Rated PG-13. 96 min­utes. Re­gal Sta­dium 14, DreamCatcher. (Not re­viewed)

UN GALLO CON MUCHOS HUEVOS

This comic ad­ven­ture is the first an­i­mated film from Mexico to get a wide re­lease in Amer­ica (the English ti­tle is A Rooster With

Many Eggs). The story, which is the latest en­try in a pop­u­lar se­ries, cen­ters on a weak rooster who finds the strength to con­front an evil rancher with the help of a bunch of goofy eggs. Not rated. 98 min­utes. In Span­ish with­out sub­ti­tles. Re­gal Sta­dium 14. (Not re­viewed)

WAR ROOM

Film­mak­ers Alex and Stephen Ken­drick fol­low up Fire­proof (2008) and Coura­geous (2011) with another faith-based movie. This time, they fo­cus on a fam­ily that is splin­ter­ing apart un­til the mom (Priscilla C. Shirer) meets an older woman (Karen Aber­crom­bie) who keeps a “war room,” where she gets her pray­ing done. Soon enough, it’s time for the fam­ily to go to “war.” Rated PG. 120 min­utes. Re­gal Sta­dium 14. (Not re­viewed)

Cock­sure: Un gallo con muchos huevos (A Rooster With Many Eggs), at Re­gal Sta­dium 14

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