THE PEARL BUT­TON

Pasatiempo - - MOVING IMAGES - (Jonathan Richards)

Chilean film­maker Pa­tri­cio Guzmán creates a lyri­cal and wrench­ing es­say on the watery beau­ties of his coun­try, with its thou­sands of miles of coast­line, its van­ish­ing in­dige­nous coastal tribes, and its other “dis­ap­peared”: the de­sa­pare­ci­dos who van­ished un­der Pinochet’s bru­tal dic­ta­tor­ship. The ex­quis­ite beauty of Katell Djian’s cin­e­matog­ra­phy, the ex­tra­or­di­nary ethno­graphic pho­to­graphs of a dis­ap­pear­ing peo­ple, the heart-rend­ing rec­ol­lec­tions of a hand­ful of sur­viv­ing Kawésqar el­ders, and the re­flec­tions of a few con­tem­po­rary po­ets and oceanog­ra­phers and philoso­phers work to­gether to weave an en­chant­ing, ex­hil­a­rat­ing, and pro­foundly dis­turb­ing work of cin­e­matic po­etry. Not rated. 82 min­utes. In Span­ish and Kawésqar with sub­ti­tles. The Screen.

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