PC GAMER (US)

Rime

Despite having plenty going on thematical­ly, Rime is a slightly dull puzzle platformer.

- By Samuel Roberts

In Rime, a boy washes up on a remote island and walks about. You’re guided through this new land by a fox—think a dog, but less good—who yaps while signpostin­g where to go next. You climb things, push things around, line up shapes, and even control light to activate switches that open the way. It’s rather Indie Game: The Game from there: Twee imagery, gentle exploratio­n, nice music, until some more thematical­ly interestin­g stuff emerges later in the story. I usually enjoy all of those things, and thought I’d like Rime too, but I’ve bounced off of it a bit. As a puzzle platformer, it’s a bit too easy going, rarely offering anything too taxing to figure out. I was never dazzled by the answer to a puzzle, though a few are complex enough that you’ll feel satisfied by resolving them. You can only jump onto certain surfaces marked by what looks like seagull poo, which is good for signpostin­g, but it means jumping and climbing is pretty basic. These interactio­ns aren’t fun to do, either. Maybe the idea is you’re meant to have a sense of the boy’s limitation­s, but platformin­g should still feel nice in a platformer.

Visually, Rime recalls the PlayStatio­n games of Team Ico, as well as WindWaker and Journey, although it’s more directly inspired by the look of the Mediterran­ean coastline. This sounds harsh, but I think it’s a league down from those games. I think the characters and environmen­ts look almost too simple, and while I like the color palette, the world alone isn’t spectacula­r enough to justify the journey.

Like the games it resembles, Rime wants to show rather than tell with its story. You don’t know why the boy is on the island, and the game is coy about what’s going on throughout his journey. I think there’s a limit to how little you can show and still have the player interested in the premise, though. There is significan­ce to the boy’s adventure and the imagery you encounter on the island, but while being thematical­ly clever, this stuff emerges far too deep into the game to maximize its impact.

Some hints of the game’s themes can be found via collectabl­es, but they’re abstract, and I’d be surprised if players found too many of them on anything but a comprehens­ive playthroug­h. And I wouldn’t play Rime again just to find collectibl­es.

Of the game’s four main areas, a couple feel like they stick around for too long. In the second section on a dusty part of the island, a giant predatory bird hovers overhead, meaning the boy has to scramble behind bits of shelter to avoid being carried away by it. You sense how close the bird is getting by reading audio and visual clues, and evading its gaze is genuinely tense. By the time that section crawls to a close, though, you feel like you’ve been wary of that thing for a couple of hours, and you’re ready for it to stop.

Busted rime

Rime took me about eight hours to finish, and it’s oddly paced. The first and second sections feel very long, and the third—featuring an AI companion of sorts—is just long enough. The fourth, more focused on climbing puzzles, is extremely brief, but it’s also one of the best bits of the game. For too long, Rime feels like it’s coasting between basic switch-hitting and collecting, which made me zone out a bit as I plodded through its environmen­ts. Much better are the puzzles where you control light to activate platforms or create silhouette­s, sometimes even shifting the time of day on the fly to progress.

The lack of narrative drive is why Rime didn’t click with me. I didn’t know enough about the boy or his journey to care about why he was jumping around or following this yappy fox, even when I did find particular puzzles engaging. When the soundtrack swells in a way that suggests the game is trying to provoke feels—which is frequently—it hasn’t earned those emotional moments. I’m sad to say I was unmoved by most of Rime’s attempts to engage me with its premise. I’m not made of stone, or anything, and plenty of narrative-centric games get under my skin. I just think Rime waits too long to make you invest in what’s going on.

Rime took me about eight hours to finish, and it’s oddly paced

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