Quilt­ing Basics •

The fol­low­ing is a ref­er­ence guide. For more in­for­ma­tion, con­sult a com­pre­hen­sive quilt­ing book.

Quilters World - Autumn Colors - - Contents -


• Read through the en­tire pat­tern

be­fore you be­gin your project. • Pur­chase qual­ity, 100 per­cent

cot­ton fab­rics.

• When con­sid­er­ing pre­wash­ing, do so with ALL of the fab­rics be­ing used. Gen­er­ally, pre­wash­ing is not re­quired in quilt­ing.

• Use 1/4" seam al­lowance for all stitch­ing un­less oth­er­wise in­structed.

• Use a short-to-medium stitch


• Make sure your seams are



• • • • • • Ro­tary cut­ter and mat

Scis­sors for pa­per and fabric Non­slip quilt­ing rulers

Mark­ing tools

Sew­ing ma­chine

Sew­ing ma­chine feet:

1/4" seam­ing foot (for piec­ing) Walk­ing or even-feed foot

(for piec­ing or quilt­ing) Darn­ing or free-mo­tion foot

(for free-mo­tion quilt­ing) • Quilt­ing hand-sew­ing nee­dles • Straight pins

• Curved safety pins for bast­ing • Seam rip­per

• Iron and iron­ing sur­face



Fusi­ble Ap­pliqué

All tem­plates in Quil­ter's World are re­versed for use with this tech­nique.

1. Trace the in­structed num­ber of tem­plates 1/4" apart onto the pa­per side of pa­per-backed fusi­ble web. Cut apart the tem­plates, leav­ing a mar­gin around each, and fuse to the wrong side of the fabric fol­low­ing fusi­ble web man­u­fac­turer’s in­struc­tions.

2. Cut out the ap­pliqué pieces on the traced lines, re­move pa­per back­ing and fuse to the back­ground re­fer­ring to the ap­pliqué mo­tif given.

3. Fin­ish ap­pliqué raw edges with a straight, satin, blan­ket, zigzag or blind­hem ma­chine stitch with match­ing or in­vis­i­ble thread.

Turned-edge Ap­pliqué

1. Trace the printed re­versed tem­plates onto tem­plate plas­tic. Flip the tem­plate over and mark as the right side.

2. Po­si­tion the tem­plate, right side up, on the right side of fabric and lightly trace, spac­ing im­ages 1/2" apart. Cut apart, leav­ing a 1/4" mar­gin around the traced lines.

3. Clip curves and press edges 1/4" to the wrong side around the ap­pliqué shape.

4. Re­fer­ring to the ap­pliqué mo­tif, pin or baste ap­pliqué shapes to the back­ground.

5. Hand-stitch shapes in place us­ing a blind stitch and thread to match, or ma­chine-stitch us­ing a short blind hem­stitch and ei­ther match­ing or in­vis­i­ble thread. Bor­ders

Most Quil­ter's World pat­terns give an ex­act size to cut bor­ders. You may check those sizes by com­par­ing them to the hor­i­zon­tal and ver­ti­cal cen­ter mea­sure­ments of your quilt top.

Straight Bor­ders

1. Mark the cen­ters of the side bor­ders and quilt top sides.

2. Stitch bor­ders to quilt top sides with right sides to­gether, match­ing raw edges and cen­ter marks, us­ing a 1/4" seam. Press seams to­ward bor­ders.

3. Re­peat with top and bot­tom bor­der lengths.

Mitered Bor­ders

1. Add at least twice the bor­der width to the bor­der lengths in­structed to cut.

2. Cen­ter and sew the side bor­ders to the quilt, be­gin­ning and end­ing stitch­ing 1/4" from the quilt cor­ner and back­stitch­ing (Fig­ure 1). Re­peat with the top and bot­tom bor­ders. 3. Fold and pin quilt right sides to­gether at a 45-de­gree an­gle on one cor­ner (Fig­ure 2). Place a straight­edge along the fold and lightly mark a line across the bor­der ends.

4. Stitch along the line, back­stitch­ing to se­cure. Trim seam to 1/4" and press open (Fig­ure 3). Quilt Back­ing & Bat­ting

We suggest that you cut your back­ing and bat­ting 8" larger than the fin­ished quilt-top size. If pre­par­ing the back­ing from stan­dard-width fab­rics, re­move the sel­vages and sew two or three lengths to­gether; press seams open. If us­ing 108"-wide fabric, trim to size on the straight grain of the fabric.

Pre­pare bat­ting the same size as your back­ing. You can pur­chase prepack­aged sizes or bat­tings by the yard and trim to size.


1. Press quilt top on both sides and trim all loose threads.

2. Make a quilt sand­wich by lay­er­ing the back­ing right side down, bat­ting and quilt top cen­tered right side up on flat sur­face and smooth out. Pin or baste lay­ers to­gether to hold.

3. Mark quilt­ing de­sign on quilt top and quilt as de­sired by hand or ma­chine. Note: If you are send­ing your quilt to a pro­fes­sional quil­ter, con­tact them for specifics about pre­par­ing your quilt for quilt­ing.

4. When quilt­ing is com­plete, re­move pins or bast­ing. Trim bat­ting and back­ing edges even with raw edges of quilt top.

Bind­ing the Quilt

1. Join bind­ing strips on short ends with di­ag­o­nal seams to make one long strip; trim seams to 1/4" and press seams open (Fig­ure 4).

2. Fold 1" of one short end to wrong side and press. Fold the bind­ing strip in half with wrong sides to­gether along length, again re­fer­ring to Fig­ure 4; press. 3. Start­ing about 3" from the folded short end, sew bind­ing to quilt top edges, match­ing raw edges and us­ing a 1/4" seam. Stop stitch­ing 1/4" from cor­ner and back­stitch (Fig­ure 5). 4. Fold bind­ing up at a 45-de­gree an­gle to seam and then down even with quilt edges, form­ing a pleat at cor­ner, re­fer­ring to Fig­ure 6. 5. Re­sume stitch­ing from cor­ner edge as shown in Fig­ure 6, down quilt side, back­stitch­ing 1/4" from next cor­ner. Re­peat, mi­ter­ing all cor­ners, stitch­ing to within 3" of start­ing point.

6. Trim bind­ing end long enough to tuck in­side start­ing end and com­plete stitch­ing (Fig­ure 7). 7. Fold bind­ing to quilt back and stitch in place by hand or ma­chine to com­plete your quilt.


• Ap­pliqué: Adding fabric mo­tifs to a foun­da­tion fabric by hand or ma­chine (see Ap­pliqué sec­tion of

Ba­sic Tech­niques).

• Bast­ing: This tem­po­rar­ily se­cures lay­ers of quilt­ing ma­te­ri­als to­gether with safety pins, thread or a spray ad­he­sive in prepa­ra­tion for quilt­ing the lay­ers.

Uses a long, straight stitch to hand- or ma­chine-stitch one el­e­ment to an­other, hold­ing the el­e­ments in place dur­ing con­struc­tion and usu­ally re­moved after con­struc­tion.

• Bat­ting: An in­su­lat­ing ma­te­rial made in a va­ri­ety of fiber con­tents that is used be­tween the quilt top and back to pro­vide ex­tra warmth and loft. • Bind­ing: A fin­ish­ing strip of fabric sewn to the outer raw edges of a quilt to cover them.

Straight-grain bind­ing strips, cut on the cross­wise straight grain of the fabric (see Straight & Bias Grain Lines il­lus­tra­tion on page 112), are com­monly used.

Bias bind­ing strips are cut at a 45-de­gree an­gle to the straight grain of the fabric. They are used when bind­ing is be­ing added to curved edges. • Block: The ba­sic quilt­ing unit that is re­peated to com­plete the quilt’s de­sign com­po­si­tion. Blocks can be pieced, ap­pliquéd or solid and are usu­ally square or rec­tan­gu­lar in shape. • Bor­der: The frame of a quilt’s cen­tral de­sign used to vis­ually com­plete the de­sign and give the eye a place to rest. • Fabric grain: The fibers that run ei­ther par­al­lel (length­wise grain) or per­pen­dic­u­lar (cross­wise grain) to the fabric sel­vage are straight grain.

Bias is any di­ag­o­nal line be­tween the length­wise or cross­wise grain. At th­ese an­gles the fabric is less sta­ble and stretches eas­ily. The true bias of a wo­ven fabric is a 45-de­gree an­gle

be­tween the length­wise and cross­wise grain lines. • Mitered cor­ners: Match­ing bor­ders or turn­ing bind­ings at a 45-de­gree an­gle at cor­ners.

• Patch­work: A gen­eral term for the com­pleted blocks or quilts that are made from smaller shapes sewn to­gether.

• Pat­tern: This may re­fer to the de­sign of a fabric or to the writ­ten in­struc­tions for a par­tic­u­lar quilt de­sign. • Piec­ing: The act of sew­ing smaller pieces and/or units of a block or quilt to­gether.

Pa­per or foun­da­tion piec­ing is sew­ing fabric to a pa­per or cloth foun­da­tion in a cer­tain or­der.

String or chain piec­ing is sew­ing pieces to­gether in a con­tin­u­ous string with­out clip­ping threads be­tween sec­tions. Press­ing: Press­ing is the process of plac­ing the iron on the fabric, lift­ing it off the fabric and plac­ing it down in an­other lo­ca­tion to flat­ten seams or crease fabric with­out slid­ing the iron across the fabric.

Quil­ters do not usu­ally use steam when press­ing, since it can eas­ily dis­tort fabric shapes.

Gen­er­ally, seam al­lowances are pressed to­ward the darker fabric in quilt­ing so that they do not show through the lighter fabric.

Seams are pressed in op­po­site di­rec­tions where seams are be­ing joined to al­low seams to butt against each other and to dis­trib­ute bulk.

Seams are pressed open when mul­ti­ple seams come to­gether in one place.

If you have a ques­tion about press­ing di­rec­tion, con­sult a com­pre­hen­sive quilt­ing guide for guid­ance.

• Quilt (noun): A sand­wich of two lay­ers of fabric with a third in­su­lat­ing ma­te­rial be­tween them that is then stitched to­gether with the edges cov­ered or bound.

• Quilt (verb): Stitch­ing sev­eral lay­ers of fabric ma­te­ri­als to­gether with a dec­o­ra­tive de­sign. Stip­pling, cross­hatch, chan­nel, in-the-ditch, free-mo­tion, allover and me­an­der­ing are all terms for quilt­ing de­signs. • Quilt sand­wich: A lay­er­ing of in­su­lat­ing ma­te­rial be­tween a quilt’s top and back­ing fabric. • Ro­tary cut­ting: Us­ing a ro­tary cut­ting

blade and straight­edge to cut fabric. • Sash­ing: Strips of fabric sewn be­tween blocks to sep­a­rate or set off the de­signs.

• Sub­cut: A sec­ond cut­ting of strips that makes the ba­sic shapes used in block and quilt con­struc­tion. • Tem­plate: A pat­tern made from a sturdy ma­te­rial which is then used to trace and cut shapes for patch­work and ap­pliqué quilt­ing.


• Be­gin­ner: A quil­ter who has been in­tro­duced to the basics of cut­ting, piec­ing and as­sem­bling a quilt top and is work­ing to mas­ter th­ese skills. Some­one who has the knowl­edge of how to sand­wich, quilt and bind a quilt, but may not have nec­es­sar­ily ac­com­plished the task yet.

• Con­fi­dent Be­gin­ner: A quil­ter who has pieced and as­sem­bled sev­eral quilt tops and is com­fort­able with the process, and is now ready to move on to more chal­leng­ing tech­niques and projects us­ing at least two dif­fer­ent tech­niques.

• In­ter­me­di­ate: A quil­ter who is com­fort­able with most quilt­ing tech­niques and has a good un­der­stand­ing for de­sign, color and the whole process. A quil­ter who is ex­pe­ri­enced in pa­per piec­ing, bias piec­ing and projects in­volv­ing mul­ti­ple tech­niques. Some­one who is con­fi­dent in mak­ing fabric se­lec­tions other than those listed in the pat­tern.

• Ad­vanced: A quil­ter who is look­ing for a chal­leng­ing de­sign. Some­one who knows she or he can make any type of quilt. Some­one who has the skills to read, com­pre­hend and com­plete a pat­tern, and is will­ing to take on any tech­nique. A quil­ter who is com­fort­able in her or his skills and has the abil­ity to se­lect fabric suited to the project.


Newspapers in English

Newspapers from USA

© PressReader. All rights reserved.