Eastern Shore Wind Ensemble concert is Sunday
CHESTERTOWN — The Eastern Shore Wind Ensemble will celebrate music from different parts of the world in its third concert of the season, “A Musical Journey.”
Music Director Dr. Keith A. Wharton will conduct this free concert, beginning at 4 p.m. Sunday, March 19, at Emmanuel Episcopal Church at Cross and High streets, Chestertown.
The church is handicapped-accessible, via the ramp and automatic doors on the courthouse-green side of the building.
Rehearsals for the next concert, on May 21, will begin March 20. They start at 7 p.m. and run until 8:30 p.m. in the Washington College band room in Gibson Center for the Arts. For more information, call 410-778-2829. The ensemble is supported partially by a grant from the Kent County Arts Council.
Several of the pieces on the program have a jazz theme. “Single Petal of a Rose,” by Duke Ellington, will be played on the bass trombone by James Pileggi, accompanied by Virginia Andrews on the piano.
It is one of the seven movements of the “Queen’s Suite” that Ellington wrote for Queen Elizabeth II, who was presented with a single pressing of the recording, which was not commercially issued during Ellington’s lifetime.
“A Night in Tunisia,” by John “Dizzy” Gillespie and Frank Paparelli, is a jazz standard that helped to pioneer the Afro-Cuban style of the 1940s. The arrangement played for this concert features the saxophone section and alternates between Latin and swing styles, as did the original.
A movie set in an exotic place is the basis for “Themes from Lawrence of Arabia,” by Maurice Jarre. It is taken from the film of the same name and consists of an Arabian motif with blazing color and almost barbaric effects plus the Lawrence theme, a melody that reflects both his love of the desert and his internal psychological conflicts.
Spain’s tragicomedy hero Don Quixote is celebrated in “Suite from Man of La Mancha,” by Mitch Leigh, that captures the Spanish spirit embodied in its classic themes.
Spain is represented again by “La Paloma,” a popular Spanish song written by the Basque composer Sebastián Yradier, who died soon after composing it and never knew just how popular his song would become.
The music of central Europe is represented by “Friska,” an arrangement for band of the finale from Franz Liszt’s “Hungarian Rhapsody No. 2.” “Friska” is the name of the fast Hungarian dance that inspired the fast section of the finale.
A mythological note is struck by the opening fanfare from “La Peri,” ballet music by Paul Dukas that was his last major work. It tells the story of a man’s search for immortality and his encounter with a mythical creature, the Peri.
Robert W. Smith’s “Rites of Tamburo” is an eclectic blend of various musical styles drawn from many different cultures around the world. It uses percussion for its driving force and draws upon the concept of celebration, both liturgical and secular, of human existence.