Jackie Chan re­ceives his

The Detroit News - - Front Page - KATIE WALSH Tri­bune News Ser­vice

Leg­endary ac­tion star and mar­tial arts mae­stro Jackie Chan gets his “Taken” mo­ment with the ter­ror­ism thriller “The For­eigner,” where he co-stars as a man seek­ing vengeance for the death of his daugh­ter in a bloody Lon­don bomb­ing.

His coun­ter­part is a griz­zled for­mer 007 him­self, Pierce Bros­nan, growl­ing his way into a meaty and mo­rally am­bigu­ous role as for­mer IRA mem­ber and Ir­ish Deputy Min­is­ter Liam Hen­nessy, at­tempt­ing to pol­i­tick his way around the af­ter­math of the bomb­ing, which is claimed by a rouge IRA cell.

Adapted from Stephen Leather’s novel “The Chi­na­man,” “The For­eigner” is only so-ti­tled be­cause the al­ter­na­tive would have caused an out­cry. Chan’s char­ac­ter, Quan Ngoc Minh, is mostly re­ferred to as “the Chi­na­man” through­out, even though he’s eth­ni­cally Viet­namese. De­spite its lit­er­ary ori­gins, the film feels a bit like a writer tossed a few darts at a board la­beled with ag­ing ac­tion stars and var­i­ous ter­ror­ist groups and just de­cided to make it work. Jackie Chan vs. the Ir­ish Re­pub­li­can Army? That could work. What’s next: Bruce Wil­lis vs. ETA? JeanClaude Van Damme takes on Aum Shin­rikyo?

Chan’s role is brood­ing, se­ri­ous and sim­ple. He wants the names those re­spon­si­ble for his daugh­ter’s death. Re­buffed by the po­lice and govern­ment, he re­lies on his old bag of tricks, de­vel­oped in the jun­gles of Viet­nam, honed by U.S. Spe­cial Forces. He det­o­nates home­made bombs with notes just read­ing “NAMES” all around the en­vi­rons of deputy min­is­ter Hen­nessy’s stomp­ing grounds of Belfast. He plants nasty jun­gle traps, en­snar­ing Hen­nessy’s thugs. All just to get some face time with the min­is­ter.

Chan, now in his 60s, isn’t the en­er­getic tor­nado of whirling kicks and punches he once was, but he’s still got it. His fight­ing style in the film is brutish, re­source­ful and ef­fec­tive. Bros­nan is the talker, us­ing his suave­ness, talk­ing out of both sides of his mouth to Bri­tish politi­cians and his ca­bal of ex(or are they?) IRA mil­i­tants.

It’s a re­fresh­ing change of pace to see Chan in this more se­ri­ous role, but he isn’t given all that much to do. When he isn’t in mo­tion, he stares va­cantly, com­mu­ni­cat­ing his shock and trauma, his char­ac­ter merely a vi­o­lent au­tom­a­ton.

This vig­i­lante jus­tice story — stan­dard fare for the ag­ing ac­tion star — could have sig­naled a new turn in Chan’s ca­reer, but he has to share this movie with Bros­nan’s far more fas­ci­nat­ing plot about dy­nas­ties of ter­ror­ism. Un­for­tu­nately, nei­ther star re­ceives a fair shake in “The For­eigner.”

Christo­pher Raphael / STX films

Jackie Chan, left, stars as Quan, whose daugh­ter has been killed in a bomb­ing, and Pierce Bros­nan plays Hen­nessy in “The For­eigner.”

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