USA TODAY US Edition

Women are the true marvels in ‘Panther’

Film crafts vision of black womanhood that’s inspiring and empowering

- Columnist USA TODAY Anika Reed

Marvel’s Black Panther is already cementing its place in cinematic history as the most high-profile black superhero movie to date. It’s the women behind the catsuit-clad African king, however, who are the movie’s true marvels.

Walking out of the theater, I felt fulfilled as a black viewer and as a woman, which rarely happens simultaneo­usly with mainstream movies. Black Panther is Marvel’s attempt at being “woke,” and it confronts colonialis­m, racism and nationalis­m in profound ways while also crafting a vision of black womanhood that’s inspiring and empowering.

One movie isn’t going to fix gender or racial division in America, but it’s a step in the right direction. Representa­tion in pop culture matters, and the women of Black Panther are celebrated and validated throughout the film in powerful ways.

Black women are the real main characters.

Though the movie is named for a male, the women of Black Panther are at the forefront of the story. Much like the animal kingdom, in which female wildcats hunt and maintain control, the women are the ones in control of the throne and the society of fictional Wakanda. Lupita Nyong’o’s Nakia saves the day when T’Challa (Chadwick Boseman) chokes; little sister Shuri (Letitia Wright) saves the white man, rather than the typical white-savior plot line; and Danai Gurira’s general Okoye is thrilling in battle but knows when to end the fight. At least one of the women is in almost every scene.

They don’t need superpower­s to be superheroe­s.

Only the Wakandan king has superpower­s in this Marvel movie, which makes the core women that much more admirable. The technologi­cal advancemen­ts they make and the battles they fight are because of their intelligen­ce and inner strength rather than a potion or a power. The movie gives a multifacet­ed view of what a superhero can be, and the women of Wakanda show that T’Challa couldn’t be king without their support.

The characters have layers.

What a concept: Black women don’t come in one stereotypi­cal shape and size. The women are nuanced characters who portray positive and strong versions of black femininity without

falling into the “sassy black friend” or the “ghetto black girl” or the “independen­t black woman who don’t need no man” tropes. I could see women like myself and my friends in the movie, and that positive visibility is priceless.

Dark-skinned women are important in a big-budget film.

Colorism is real in black communitie­s worldwide, and it’s especially prevalent in Hollywood when it comes to the types of black women who play leading roles in films and get nominated for awards. Black women with lighter skin tones have undeniably achieved the most mainstream success in the entertainm­ent industry, and it’s a refreshing change to see women with dark skin and Afros taking control of the narrative in a film that’s a huge box office hit.

Black women and girls can see themselves on screen.

Black women and girls can see in a major studio movie that their contributi­ons matter, both in the work that the characters do and in the fact that these actors made it to this level of the Hollywood stratosphe­re.

Young black girls might be prouder of their heritage upon leaving the theater. Black women who have been shown almost exclusivel­y straight hair onscreen for the better part of the past few decades might be inspired to wear their hair naturally. And if the movie becomes as big a success as predicted, there’s a strong possibilit­y that generation­s of black women and girls will live in a society where it’s normal to see a majority black cast in a major Hollywood film.

 ??  ?? Teenage princess Shuri (Letitia Wright) is the smartest person in the world in “Black Panther.” MARVEL
Teenage princess Shuri (Letitia Wright) is the smartest person in the world in “Black Panther.” MARVEL
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