LOOK WHO’S TALK­ING

Get to know Chloe Gos­selin, the stiletto ar­chi­tect of the mo­ment.

Vegas Magazine - - Contents -

This year, Hin­dus­tan

Times called ac­tress Deepika Padukone a “fierce war­rior princess” on the Cannes red car­pet for her green Chloe Gos­selin shoes and match­ing green smoky eyes. Gos­selin’s dozens of high-pro­file devo­tees in­clude Olivia Munn, Ce­line Dion, An­dra Day and Selma Blair. Madonna wear­ing her Datura pump in In­ter­view mag­a­zine, Tori Amos per­form­ing at the Vik­tor & Rolf an­niver­sary in her Hy­acinth san­dal and Kendall Jen­ner out and about in her Lark­spur san­dal are fa­vorite re­cent celeb mo­ments. But most don’t know that in­spi­ra­tion of­ten strikes Gos­selin when she’s at home— close to the Red Rock Con­ser­va­tion Area—where she’s lived for a decade with fi­ancé David Cop­per­field, and full time since their daugh­ter started school here four years ago. So does a cer­tain ma­gi­cian in­flu­ence her shows, which have been de­scribed as “mag­i­cal” by fash­ion ed­i­tors? “We are re­ally close and al­ways cre­ate side by side,” she says. “David took his crazy child­hood dream and made it a re­al­ity! He in­spires me to dream big­ger and al­ways push the lim­its.” Dream big enough and you might be able to col­lect her shoes hand-painted by artist Regina Yazdi— sold as an ex­clu­sive cap­sule in her re­sort 2018 col­lec­tion. “Spring/sum­mer 2018 will have a lot more flats and mid­heels, but still very de­tailed with em­bel­lish­ments, like the jew­elry piece I in­tro­duced for fall/ win­ter 2017 on the Helix Mary Jane,” she hints. Pressed to de­scribe the Chloe Gos­selin woman, the na­ture-lov­ing eques­trian and mother char­ac­ter­izes her client as “a dreamy girl, ro­man­tic and fem­i­nine, but also strong and an­chored in her re­al­ity. She loves fash­ion but be­lieves in in­vest­ment pieces that she can keep for a life­time; she loves one-of-a-kind fash­ion and the sto­ries be­hind each creation.” A woman, we imag­ine, very sim­i­lar to Gos­selin her­self.

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By An­drea Ben­nett

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