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“You shouldn’t be afraid to mix fin­ishes,” sug­gests Louise Gaskill, the owner of the Louise Gaskill Com­pany. “I fre­quently use gold and sil­ver gilt on the same piece. The com­bi­na­tion of fin­ishes works well with any in­te­rior hard­ware choice.”

His­tory in the Mak­ing

“Em­brace glass on chan­de­liers,” Louise says. She uses vin­tage Ital­ian art glass al­most ex­clu­sively on her de­signs. “It trans­forms what could be a some­what or­di­nary chandelier into a piece of art with a his­tory,” she adds. “As my de­sign clients of­ten com­ment, these are pieces you pass on to your chil­dren.”

Fo­cus on Color

“Also, don’t be afraid to use color,” Louise says. “A chandelier with color can be the focal point that ev­ery­thing else re­volves around.” Her in­ven­tory of glass ranges from soft pas­tels to vivid jewel tones.

Color Pop With a sea foam green base, the Green Mu­rano Glass Lamp adds both color and light. $3,800 for the pair, (919) 601-3525 or louisegaskill.com. For more in­for­ma­tion about the Louise Gaskill Com­pany, call (919) 601-3525 or visit louisegaskill.com.

Art His­tory A trea­sured chandelier, the Lily With White and Blue Dot Glass looks like a piece of art. $5,300, (919) 601-3525 or louisegaskill.com.

All That Glit­ters The com­bi­na­tion of sil­ver and gold in the Etta With Clear Speck­led Glass Chandelier will match any dé­cor. $7,000, (919) 601-3525 or louisegaskill.com.

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