UNCUT

HOW TO BUY… Sunny War and friends

SUNNY WAR Shell Of A Girl

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ANUS KINGS Seems You Haven’t Learned

(2011)

In the late 2000s, Sunny War started a folk-punk duo in the mould of The Moldy Peaches and The Dead Milkmen. She and bassist Brian Rodriguez sang fast, loud, sometimes gleefully juvenile songs with dark undercurre­nt about addiction and homelessne­ss. On their debut, War picks every song like a guitar hero in training. 7/10

SUNNY WAR Worthless

(2015)

War recorded this short album after getting clean and while she was busking in LA. It’s just her voice and guitar, but already she’s a masterful player, updating old blues techniques for the Venice Beach boardwalk. But it also reveals her to be a sharp, insightful songwriter who conjures the complexiti­es of sobriety and love in economic language. 7/10

SUNNY WAR With The Sun

(2018)

For many fans, With The Sun is War’s debut: the album that introduced her to a national audience beyond the boardwalk. She has refined her picking style and her songwritin­g, but here it’s her voice that shines through. Whether she’s singing about a soured relationsh­ip or an explosion of police violence, she sounds both tough and tenderhear­ted. 9/10

PARTICLE KID + SUNNY WAR Particle War

(2019) War and Micah Nelson split their collaborat­ive EP down the middle, each bringing five songs and one cover. She chose The Clash’s “Lover’s Rock”, which she quietens into a lovely folk seduction. The duo’s chemistry changes from one song to the next, from the doo-wop of “The Brave” to the skewed country-rock of “Give Up”, featuring The Doors’ John Densmore. 8/10

(2019) War wrote her follow-up while living in a possibly haunted halfway house in downtown Los Angeles. On some of her most harrowing songs, she looks back at her own past, sizing up her experience­s on songs like “Drugs Are Bad” and “Love Is Pain”. A chronicle of perseveran­ce and persistenc­e. 8/10

SUNNY WAR Simple Syrup

(2021)

A quietly powerful album that simmers with outrage. “Deployed And Destroyed” is her version of John Prine’s “Sam Stone” – a eulogy for a veteran broken by combat. And “Like Nina” shirks the heavy expectatio­ns placed on the shoulders of black women artists. There’s a grim humor to her love songs like “Love Is A Pest” and “Kiss A Loser”: “Come and kiss a loser if that’s really your kink ”. 8/10

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