Perfil (Sabado)

Revive your spirit with a cultural feast in Colonia

- by ROBERT COX

Buenos Aires, with all its delights and horrors, is sometimes “just too much” to use a phrase in English that Cristina Fernández de Kirchner made familiar. There are many variations on the theme of how important it is to take a break from a city that Borges said was both “un encanto y un espanto.”

But where to? I have the answer. The plague of Covid-19 has receded and the Colonia festival of music is back, running from November 15 to 20. The Festival Internacio­nal de Colonia, set in the ancient city of Colonia del Sacramento, will be offering 15 shows in six days. The festival’s creator, concert pianist Enrique Graf has achieved the impossible again, bringing artists from 10 countries together to make a magical place even more magical. My wife Maud and I had the pleasure of being in at the beginning because Enrique is a resident of Charleston, South Carolina, where we live, long exiled from Buenos Aires.

To my mind the Colonia

Festival is unique, although it resembles Charleston’s

Spoleto Festival, which was founded by Gian Carlo Menotti in 1977. The difference is that Colonia is relatively unspoiled – these days even Charleston, whose beauty was once known as “the best-kept secret in America,” can also seem “too much.“

Charleston and Colonia, founded just 10 years apart, the former in 1670 and the latter in 1680, have much in common. Both are situated on estuaries, are warm and welcoming and boast great food. Yet Charleston has become “touristy” and Colonia has not – it is the perfect setting for a cultural feast. This is the menu, as described by Enrique Graf:

“The Philharmon­ic of Montevideo, directed by its Artistic Director Martín García, with two outstandin­g young soloists opens the festivitie­s. American pianist Micah Mclaurin, who has performed with such great orchestras as those of Philadelph­ia and Cleveland and the Verbier and Spoleto USA festivals, will perform Chopin’s Concerto No. 2. The Japanese violinist Azusa Saito, winner of the Tucumán Latin American Contest and the Montevideo Philharmon­ic Internatio­nal Competitio­n will perform the Concerto by Max Bruch.

“Julian Jacobson, the great English pianist, will be the protagonis­t of an event with few precedents in history. The 32 Sonatas of Ludwig van Beethoven, in a single concert from memory. The Spanish pianist Rubén Fernández Aguirre joins a Lyric Gala with soprano Sofía Mara, baritone Eleomar Cuello, tenor Martín Nusspaumer and mezzo-soprano María Antúnez, all with outstandin­g internatio­nal careers. A programme of baroque music features the participat­ion of soprano Carla Caramujo, flautist Antonio Carhillo, both Portuguese, and harpsichor­dist Álvaro Cabrera Barriola with a string quintet made up of distinguis­hed Uruguayan musicians.

“Three internatio­nally renowned Brazilians also come together to celebrate the classical and popular music of their land. Counterten­or José Lemos, Ana Flávia Frazão on piano, and ‘The King’ of the harmonica, José Staneck. Quintango, a well-known sextet in the United States, presents a different, internatio­nal vision of tango. Flamenco will be present too with La Plazuela’, an Uruguayan group made up of singer, dancer, flute and percussion, directed by renowned guitarist Gonzalo Franco.

“Jazz will be represente­d in two concerts, one by the Benny Goodman Quintet and the other by Hércules Gomes, an eclectic and spectacula­r Brazilian pianist. Both return by popular demand. The rest of the programme includes the awardwinni­ng Spanish film O que Arde, the French film Calamity, with music by Uruguayan composer Florencia Di Concilio (Michel Legrand Award 2021), and a silent film with live music by Argentine pianist/singer Juan Nevani.

“It is completed with an exhibition about Nobel Prize winner José Saramago which opens on the centenary of his birth, an exhibition of photograph­s by Frenchman Pascal Milhavet and another show with the works selected and awarded at the III Bienal Colonia.”

A feast indeed! Of course, it may be impossible to take all this in, but I guarantee that however much, or little, you are able to savour during a getaway just across the river in Uruguay, you will return to Buenos Aires revived.

Find out more at www.festivalco­lonia.org

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