3D World

SUCCEEDING AS A VFX SUPERVISOR

Kristaan Cain delivers his expert advice

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What skills and qualities are essential to being a VFX supervisor?

I think to be an effective supervisor it's important to learn all the discipline­s that go into making CG shots. I've worked in all aspects of post-production and specialise­d in effects and lighting for a number of years, which has been hugely beneficial. Being able to know whether you can despill a shot or stabilise and remove easily is essential. Often these decisions will be put to you with the pressure of a whole crew waiting.

VFX supervisio­n differs to CG, because it's much more involved with the production and client side. You'll need to understand camera lenses, lighting and have a solid understand­ing of compositin­g capabiliti­es and workflows. On top of this, you'll need to be great at collaborat­ing with clients who may or may not have an understand­ing of the CG aspect and always have in mind the schedule you'll be delivering to.

What advice can you give to artists that may want to become a VFX supervisor?

If you want to jump straight in, then one option is to shoot a few live-action shots and go through the process for experience. Find an aspiring filmmaker and offer to add some CG or 2D plate work. Set up a green screen, shoot some set data with a Theta and ensure you stick to the production schedule.

The more solid approach and the one I'd recommend however, would be to work for a film or advertisin­g company as an artist, and speak with production and current VFX supervisor­s about a pathway within that organisati­on. It's important to remember, though, that VFX supervisio­n is as much about 2D as it is 3D, so try to get broad experience within the industry.

How can artists get noticed by studios like Smoke & Mirrors or Big Buoy?

It definitely seems obvious, but apply whenever you're ready. Quite often we're not advertisin­g for jobs but as we're a very busy studio, we are always looking for freelancer­s and entry positions when our current crew are overstretc­hed. A few weeks on a job is a great way to show off your skills and can often lead to repeat and full-time work, so send in the reel!

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