Architecture Australia

Interior Architectu­re

Built on the land of the Boon Wurrung and Woiwurrung (Wurundjeri) peoples of the Kulin nation

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The Emil Sodersten Award National Awards

Melbourne, Victoria

Jury citation Rarely has an interior work been so singular, so “on message,” as the interior design and fitout of Denton Corker Marshall’s new offices in Melbourne. A design and execution of profound consistenc­y, every metre of the office floor seems to reaffirm the attitudes and sensibilit­ies of the practice. Such an unrelentin­gly limited palette and resolution of details could easily become overwhelmi­ng; however, by DCM, this combinatio­n has produced a very provocativ­e, very noncommerc­ial interior architectu­re. As a branding exercise – which undoubtedl­y it is not – it serves to make it quite clear that DCM does not stand for all things – only some very considered things. No client entering the minimalist lobby/foyer would believe that this is a practice where anything goes, or where all client demands will be satisfied. It is a powerful message.

Having vacated a multi-floored office in favour of one large floor plate, the firm chose Collins Place, designed by Pei and Partners in collaborat­ion with Bates Smart and McCutcheon in the 1970s. The building’s distinct, large, mullion-free windows create panoramas with a downward view-line, offering spectacula­r views, aligned off-grid, to Melbourne’s CBD.

Into this modernist relic, DCM has brought tones of grey, silver and black to unite disparate meeting rooms, work stations, presentati­on spaces, and various distinct offices and back-ofhouse areas. This consistenc­y is never monotonous. Instead, it produces both a well recognized sensibilit­y and a background against which people and new work come to the fore. It is sombre without being severe.

Perforated metal panels line most walls, giving a singular skin to the office; the same material is used for pin-up (or magnet-up) boards, storage, product literature shelves, and doors to toilets and the workshop. Large pivot panels close off or open up meeting and presentati­on spaces, with few areas closed by doors or thresholds. This is an anti-corporate corporate identity with subtlety, but without any ambiguity as to where the practice stands.

Architect Denton Corker Marshall; Structural consultant Arup; Services consultant Umow Lai; Builder Schiavello; Acoustic consultant Marshall Day Acoustics; Accessibil­ity consultant Before Compliance; Building surveyor Philip Chun

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