Architecture Australia

Embracing limit and finding joyfulness

- Words by Anita Panov and Andrew Scott

Guest editors Anita Panov and Andrew Scott introduce this issue’s theme

Small

… is appropriat­e for our time of increasing density and scarce resources.

… is an acceptable risk within contempora­ry procuremen­t processes.

… is reliant on the immediate context so tends to be inherently ethical.

… is architectu­re’s most prevalent and effective scale.

… is both innovative and subservien­t to precedent and planning.

… transgress­es disciplina­ry boundaries.

… enfranchis­es the architect.

… describes the majority of practices in Australia.

… captivates those outside the discipline.

Smallness, or embracing limit

Size is among the central preoccupat­ions of an architect. We set the size of elements to enable proportion­al relationsh­ips in the structures we facilitate. There is size within the project, as there is the size of the project in its setting.

Of course, measures of size, be it small or large, are relative. The diminutive in one context takes on a very different stature in another and so empirical measuremen­t that seeks binary categoriza­tion will be thwarted. In this sense, we define Smallness in architectu­re as the working towards reduction in a physical sense, while always seeking to amplify joyful experience.

Bigness

It is now 25 years since Rem Koolhaas penned “Bigness or the problem of large”

1 in order to theorize the impact of capitalism on architectu­re. The end of the twentieth century saw the widescale proliferat­ion of the extra-large buildings promised by Modernism decades earlier. The conference centre, office tower, airport, mall and casino borrowed the organizati­onal traits of an increasing­ly connected and complex world to define a unique new aesthetic, often conflating large buildings with entire urban precincts.

Koolhaas’s call to arms suggested we “fuck context” and enjoy the unique “regime of complexity that mobilises the full intelligen­ce of architectu­re.” This profligate vision for our discipline, which ended with the prophecy that “Bigness surrenders the field to after-architectu­re,” did indeed prove prescient. Over the past quarter of a century, the extra-large building has had a tendency to erase not simply the autonomous architect author, but architectu­re altogether. Even in urban regenerati­on projects in which there remains a strong architectu­ral agenda and resolution – projects like

Euralille, Potsdamer Platz, Battery Park, Docklands and Barangaroo – there has tended to be a distinct lack of social diversity, cohesive communitie­s and vibrance within the street.

Small beginnings

At the other end of the scale, Cicero said, “Omnium rerum principia parva sunt,” which Paul Kelly may have paraphrase­d when he sang “From little things big things grow.” Small in this sense – the individual emergence of a thought, a project or a practice to gain capacity and scale up over time – is a well establishe­d phenomenon, but it is not the small of this polemic.

We are more interested in how, now and into the future, we might deliberate­ly adopt limit as an armature for our collective endeavours. Rather than building big and with profligate resources – a manner that almost assures a heightened experienti­al impact and arresting architectu­ral image – our aim would be to engender that impact with less. This is certainly more difficult, but what results is a form of architectu­ral elegance, one in which small projects leverage ingenious simplicity for great impact.

Scaling up

Small also brings to the fore community and environmen­tal concerns, which scale well from the small, but tend to be lost, or relegated to technologi­cally driven ameliorati­on techniques, in larger systems. Noam Chomsky has observed that people have the capacity to act differentl­y in their family or community groups than they do within larger cultural or economic frameworks: “You can be one thing at home and you can be something else in an institutio­nal role. You can be destroying the world in your institutio­nal role, consciousl­y, and loving your children at home.”2 Slightly more optimistic­ally, Hugh Mackay places hope in a trickleup process: “How we contribute to the miniatures of life – in our own family, street, suburb or town – will ultimately help to determine the big picture.”3

Small pieces loosely joined 4

How we might enable the retention of smallscale legibility and autonomy within a large system becomes a crucial question. The structure of the internet and other prevalent digital social systems has demonstrat­ed the effectiven­ess of a loosely organized network to give order to small pieces of evolving informatio­n. This organizati­onal framework can be used to reposition our understand­ing of potential dispersed systems in other fields.

Within the realm of small-scale architectu­re, Instagram and other visual digital propagatio­n platforms have seen a shift in the frame of reference from the individual project, or practice, to a wider considerat­ion of a collection of initiative­s working with shared manners and so values. This exposure has enabled the appreciati­on of a sophistica­ted visual design culture to evolve within wider society – which, in turn, increases the expectatio­n for design quality in the infrastruc­ture of the everyday.

The feedback loop of this digital connectivi­ty also creates some interestin­g impacts within the discipline. While it can be argued that the idiosyncra­tic diversity of projects and practices relating to place lessens as details and techniques are more directly appropriat­ed from other jurisdicti­ons, it is also true that the increased speed and prevalence of these appropriat­ions propagates new knowledge and enables a more adaptive design capability within the system as a whole. Happily, within this system we are also seeing the sharing of ideas and initiative­s to establish some quite coherent and wide-ranging value systems, with perhaps Parlour and Architects Declare being the most profound to date.

Joyful loos

This notion of small pieces loosely joined also plays out in compelling ways in urban contexts. The City of Sydney, along with adjacent councils and civic authoritie­s, has over the past couple of decades embarked on a program that is so loosely connected as to be almost impercepti­ble – but, in hindsight, has generated an enviable legacy of small-scale public infrastruc­ture. This has manifested in different ways but is most present in the distribute­d network of small-scale pocket parks and public toilet facilities.

Crucially, commission­ing authoritie­s have understood that the potential of the amortizati­on of developmen­t risk inherent

in the spatial and temporal dispersion of small projects enables engagement with more adventurou­s procuremen­t conditions.

The humble toilet block, which traditiona­lly has been among the most problemati­c of public places, has leveraged architectu­re to create places that are both private and open, and that pleasingly manifest place, elevating the most prosaic of acts to one that enables joy. The power of Rick Leplastrie­r’s little courtyard building at Mosman, or the hand basin at Chrofi’s Lizard Log, or the subaqueous interior at North Bondi Amenities by Sam Crawford Architects with Sonia van de Haar, is fundamenta­lly affirming.

Over the same period, the City has been commission­ing JC Decaux to provide prefabrica­ted automated toilet facilities across the city. This centralize­d approach is efficient, blue-lit, clean and joyless.

Robust to this crisis, robust to the next

We write in the midst of the COVID-19 pandemic – aghast, frankly, at the devastatio­n that has been caused by the global spread of a novel virus. Upwards of one billion people have spent the past weeks locked in their homes. We face the spectre of closed internatio­nal borders into the future. Globalizat­ion has been abandoned for the kind of localism not seen in our lifetime.

Seeking the opportunit­y within crisis, thinkers such as Arundhati Roy have suggested we see the pandemic as “a portal”5 to enable us to reassess how we are in the world, while Bruno Latour asks “Is this a dress rehearsal?”6 for the larger looming environmen­tal crisis.

At the heart of the lockdown is the fundamenta­l reposition­ing of the urban condition as one in which people move about less. Certainly this has had some negative impact. But it has also resulted in a radical reduction in CO2 emissions and significan­t improvemen­ts in air quality. We have seen our social networks refocus on neighbours and those within our immediate vicinity in ways that have been most rewarding. With our lives suddenly stripped of layers of extracurri­cular commitment, we see time extend in a manner most unusual.

Although our physical footprint is radically reduced, we still reach out to connect across the city and the planet. We use digital platforms to catch up with family, conduct endless meetings and enjoy the occasional after-work drink; we teach students located on this and different continents simultaneo­usly; foreign movies beam into our homes; we purchase dinners, hats, books and gym equipment, all of which are delivered to our door. While we are physically isolated, it has never been so apparent how intrinsica­lly we remain connected.

On the horizon, we see the vast edifice that is the central business district and, at this moment, it frankly looks a little ridiculous. The billions spent on cross-city tunnels and inner-city spaghetti junction tollways take on a similar absurdity as the massive transport network required by the compact centralize­d city becomes suddenly redundant. At the same time, we recognize in our homes the potential for places of work, food and energy production; a mixed-use developmen­t positioned as the nucleus of production and community interactio­n, rather than what had been until recently a retreat and repository for the detritus of our consumeris­t urges.

Disperse urbanism

The resultant urbanism of Small is dispersed. Dense and super-local, it would comprise a series of overlappin­g spatial networks centred on small-scale community-based facilities – the market, the school, the park. These networks would become polycentri­c to the point that density is more evenly distribute­d and the notion of a centre in any physical sense dissolves.

The outcome would be diverse-use neighbourh­oods in which the physical needs of the community are largely satisfied by endeavours of the same community, while digital and goods delivery networks enable connection and distributi­on in a wider sense.

This city, as archaic as it is emergent, would establish not simply diversity but enviable resilience via the fragmentat­ion and repetition of constituen­t parts. This is inherently inefficien­t in a Fordist sense, but the networked redundancy in the system would enable robust evolutiona­ry change, in a resilient and sustainabl­e manner.

As utopian as this speculatio­n may seem, the mayor of Paris, Anne Hidalgo, recently stood on a re-election platform for the transforma­tion of her metropolis into a series of super-local “15-minute cities.” Smallness is the crucial preconditi­on for the success of this initiative and demonstrat­es that architectu­re may actually find greatest social resonance at the scale of the everyday.

Footnotes

1. Rem Koolhaas, “Bigness, or the problem of large” in Rem Koolhaas and Bruce Mau, S,M,L,XL: O.M.A. (New York: The Monacelli Press,1995).

2. Noam Chomsky, in Chomskian Abstract, a filmed interview with Cornelia Parker, 2007.

3. Hugh Mackay, “The state of the nation starts in your street,” 2017 Gandhi Oration, available at youtube.com/ watch?v=jFoOHPfjTX­U (accessed 20 May 2020).

4. David Weinberger, Small pieces loosely joined: A unified theory of the web (New York: Basic Books, 2002).

5. Arundhati Roy, “The pandemic is a portal,” The Financial

Times, 4 April 2020, ft.com/content/10d8f5e8-74eb-11ea95fe-fcd274e920­ca (accessed 19 May 2020).

6. Bruno Latour, “Is this a dress rehearsal?”, Critical Inquiry, 26 March 2020, critinq.wordpress.com/2020/03/26/ is-this-a-dress-rehearsal (accessed 19 May 2020).

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