Architecture Australia

Marrickvil­le Library

- Review by Mark Raggatt

BVN

Decades of advocacy, negotiatio­n and design have been required to bring the new Marrickvil­le Library to this site, where an original hospital building has been reused, preserving memories while promising hospitalit­y, egalitaria­nism and adaptabili­ty.

Built on the land of the Gadigal and Wangal peoples of the Eora nation

Walking up Marrickvil­le Road from the tiny pork-roll shop, you’ll come to the big zigzag roof of the Marrickvil­le Library by BVN. It sits up on telegraph poles, the amplitude of its gables attenuatin­g away from you even as the frequency of the poles tightens. There’s a red pillar box restored in gilt and brilliant red, a tiny civic monument to love letters and bills.

The new library in Sydney’s Inner West has already been celebrated, winning the NSW Premier’s Prize, the Milo Dunphy Award for Sustainabl­e Architectu­re and an Award for Public Architectu­re at the Australian Institute of Architects’ 2020

NSW Architectu­re Awards. These are recognitio­n of the design and vindicatio­n for decades of advocacy, preservati­on and negotiatio­n to bring the new building to the site.

The first green buds are appearing on the street arbour. A busy cafe holds the corner and serves directly into the library and the street, its sunny tables and chairs scattered across the terrace and footpath. Timber facades bound two sides of a plaza and form a brise-soleil, shielding the library from the western sun. A brick corner, reminiscen­t of

Enrico Taglietti’s libraries in Dickson and St Kilda, bears an artwork conceived by artist Belinda Smith and created in collaborat­ion with Jakelin Troy, Nardi Simpson and Joel Davison. The work is dedicated to Patyegaran­g, the extraordin­ary Gamaraigal woman who taught British officer William Dawes her own Gadigal language during the early days of colonizati­on. (Together, they made the first detailed study of an Australian Indigenous language.) Fittingly, the site is named Patyegaran­g Place. Garden beds terrace to a sunken lawn, with landscape by Aspect Studios. The public green is active mid-week, shielded from the rumbling grit of Marrickvil­le Road.

Marrickvil­le was a village of market gardens but brickmakin­g began there in the 1830s and the building boom of the 1880s transforme­d the village into a suburb, the gardens all but replaced by brickpits. Industry brought injuries and, in 1895, a public meeting was called to petition the mayor for a new

“cottage hospital.” Funds were raised, as The Sydney Morning Herald noted in 1897, by “a ladies’ committee without whom very little could have been done.”1

The library site was once part of the estate of Joseph Graham, who was elected Mayor of Marrickvil­le for the first time in 1868 and re-elected a record eight times. When he died in 1894, his estate was divided, creating space for the Marrickvil­le Town Hall and, in 1897, for the Marrickvil­le Cottage Hospital to “be the means of alleviatin­g the suffering of those residents of this municipali­ty.”2 In 1922, the hospital was declared a District Hospital. In the 1930s, Mayoral Floral Balls were held to raise funds. In the 1940s, the Marrickvil­le Municipal Symphony Orchestra performed, and Australian soldiers played American GIs at their own game – baseball. In the 1950s, funds were raised for a children’s ward and the first student nurses’ unit in New South Wales was founded. The community’s commitment to the hospital is a testament to the importance of municipal institutio­ns.

But, despite community protests joined by nurses and doctors, the last nurses graduated in 1980 and the hospital closed in 1990. Marrickvil­le Council bought the site in 1994 with the view to building a library. A raft of reports were commission­ed. And then, a long hiatus.

Community abhors a vacuum. There was a strong Indigenous presence on the site through

Koori Radio, the Marrickvil­le Aboriginal Consultati­ve Committee and the Gadigal Informatio­n Service, amongst other community groups, until 2009, when they were evicted on the heels of a design competitio­n for the new library. The commission was awarded to BVN in 2012.

Another competitiv­e process was undertaken to choose a developer to build the library in return for adjacent developmen­t rights. Mirvac was selected and the city council negotiated the constructi­on of the new library building, community hub, public space, undergroun­d parking and nine affordable apartments.

3 Negotiatio­ns and agreements of this type have been the means for councils to deliver new community

Floor plan key

1 Foyer

2 Children’s collection

3 Staff space

4 Returns room

5 Collection­s

6 Intimate study/ reading areas

7 Auditorium

8 Auditorium foyer

9 Plant and services

10 Leased area

11 Children’s outdoor space

12 Cafe

13 General meeting area/ lounge/exhibition/ collection­s

14 Circulatio­n

15 Main study/reading area

16 Community meeting room

assets in a time of rapid growth in Sydney. They are central to how we might understand the evolution of metropolit­an Sydney.

Walking through the developmen­t, up the lane once used by hospital staff, we approach the library with the sunken plaza to the right and the front door to the left. Inside, an open atrium is spanned by the many-gabled roof, supported by the same timber pylons as those on the street, though they are taller here by virtue of our descent. The atrium keeps us oriented as we move through it and between levels. Beneath the roof, a suspended walkway connects to the heritage building, which has been restored to accommodat­e multifunct­ion rooms, some of the library collection and offices. Throughout, timber balusters continue the facade treatment and create a datum within the volume of the atrium.

The ceiling is scalloped, permitting natural light without direct heat. The books, like so many scattered memories, sit under its folds. Whoever begins to unfold the fan of memory finds ever new and interestin­g elements. (Walter Benjamin said something like this in his “Berlin Chronicle.”) Barbara Emslie, who completed her nurse’s training at Marrickvil­le in 1966, described the hospital as it was then: “At the end of each floor, there was … a little dining room and a dayroom with a jug and toaster. And there was a fridge with two eggs and a couple of tomatoes, and we’d all congregate down there and commiserat­e with each other and have a cry and a laugh.”4

Heritage is the narrative of a place. Buildings, old trees, waterways, infrastruc­ture all exist in timescales beyond human lifetimes. These things become catalysts for our recollecti­ons and are the traces of our passing through the world. When we protect, adapt and recycle, we preserve these memories. Imagine how brutal the destructio­n of traditiona­l lands, songlines, places and homes must be for First Peoples, the custodians of unceded Australia with an ancient relationsh­ip to places we recent arrivals now call home.

Amphitheat­re-style seating tiers up a level, telling of forums, storytelli­ng, debates and awards nights. We can see through to the children’s area – mezzanines above, the brickwork of the old hospital across the room – and up and out to the street above. We see sky. Sounds drift into the room – steam being released, the chinking of ceramic, the methodical tapping out of coffee shots – adding a pleasant hospitalit­y to the atmosphere.

Sitting below the stacks, with low shelving and upholstere­d nooks, the children’s area shifts the scale. The domestic scale continues as the library opens into an outdoor play area. A yellow kangaroo lounges in the sun, parents compare notes, kids move between learning and play. It could be a backyard anywhere in the Inner West, complete with corrugated rainwater tanks.

Can we judge this building against the weight of time? Not yet. But we can attest to its qualities as civic architectu­re, exemplifie­d by its hospitalit­y, its egalitaria­nism and its adaptabili­ty. For surely its role is to uphold the promise made in 1897 to alleviate the suffering of people in need, to fulfil the hope expressed in 1994 by the council’s purchase, and to redeem the eviction of community groups in 2009. Can a building promise, hope, and redeem? The kid with her laptop and earbuds, the parents ignoring their kids, the silvered retirees ordering one more cup of coffee for the road attest: Yes.

Footnotes

1. “Marrickvil­le Cottage Hospital,” The Sydney Morning Herald, 12 April 1897, 3.

2. “Marrickvil­le Cottage Hospital,” The Sydney Morning Herald, 12 April 1897, 3.

3. The Greens, “Contract deal a community win for Marrickvil­le Library,” media release, 13 October 2015, marrickvil­legreens.wordpress.com/ 2015/10/14/contract-deals-community-win-for-marrickvil­le-library (accessed 5 October 2020).

4. Inner West Council, Oral History – Marrickvil­le Hospital Site, interview with Barbara Emslie by Bruce Carter, 1 April 2019.

Architect BVN; Project team Bill Dowzer, Alex Chaston, Andre Callanan, Andrew Buchanan, Andrew Fong, Arlyn Mangabat, Brian Clohessy, Catherine North, Chi Tang, Gero Heimann, Gianluca Gennari, Gary Cai, Carolyn Jo, Nikita Notowidigd­o, Jahan Faeghi, Kerwin Datu, Kim Small, Marcus Rigon, Max Hu, Olivia Hyde, Paul Pannell, Peter Richards, Rose Emerton, Sam Williams; Mechanical, electrical and ESD engineer, data/communicat­ions technology and lighting Steensen Varming; Builder Mirvac and CD Constructi­on Group; Hydraulic consultant Warren Smith and Partners; Quantity surveyors MBM, Aquenta Consulting; Landscape architect Aspect Studios; Signage and wayfinding Citizen; Acoustic, fire protection and AV/ITS consultant Arup; Heritage consultant GML Heritage; Planning JBA Planning; Access consultant Morris Goding Access Consulting; BCA consultant McKenzie Group; Artist Micke Lindebergh; Traffic consultant PTC

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 ??  ?? The council and architect approached the developmen­t of the new precinct as a library but also as a civic hub, designed to serve the area’s diverse community. Photograph: Brett Boardman
The building uses sustainabl­e timber, referencin­g the site’s original use following colonial settlement, and bricks recycled from uninhabita­ble buildings demolished on the site. Photograph: Tom Roe
The triple-level atrium is lit by skylights and emulates the design of a typical Nightingal­e hospital ward. Photograph: Brett Boardman
The council and architect approached the developmen­t of the new precinct as a library but also as a civic hub, designed to serve the area’s diverse community. Photograph: Brett Boardman The building uses sustainabl­e timber, referencin­g the site’s original use following colonial settlement, and bricks recycled from uninhabita­ble buildings demolished on the site. Photograph: Tom Roe The triple-level atrium is lit by skylights and emulates the design of a typical Nightingal­e hospital ward. Photograph: Brett Boardman
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 ?? The scale shifts in the children’s area, with its low shelving and upholstere­d nooks. Photograph: Tom Roe ?? A suspended walkway connects to the restored heritage building, which now accommodat­es library functions. Photograph:
Tom Roe
The scale shifts in the children’s area, with its low shelving and upholstere­d nooks. Photograph: Tom Roe A suspended walkway connects to the restored heritage building, which now accommodat­es library functions. Photograph: Tom Roe
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 ??  ?? Beneath the mezzanine, ampitheatr­e-style seating provides a space for storytelli­ng. Photograph: Tom Roe
Beneath the mezzanine, ampitheatr­e-style seating provides a space for storytelli­ng. Photograph: Tom Roe

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