Architecture & Design

THE DRAMATIC CLIFFTOP HOME PERCHED ON THE EDGE OF A ROCK FACE

- ARCHITECT: JOE ADSETT ARCHITECTS WORDS: JOE ADSETT PHOTOGRAPH­Y: SCOTT BURROWS

A THREE-STOREY EXTENSION ON A SLIVER OF LAND ON THE EDGE OF A CLIFF, THIS PROJECT COULD HARDLY BE BIGGER OR MORE DRAMATIC.

THE CONCEPT

Originally, the site presented as a triangular parcel of land apologetic­ally wedged between grand, sweeping residences in a leafy suburban street in Teneriffe. A poorly constructe­d “character house” sat awkwardly on the site, accessed from the smallest frontage. Beyond the house was a dramatic, sheer cliff with views over the river to the North East.

The client’s brief was to restore the house and accommodat­e a family of seven; however the existing house was in poor condition and could not be raised or lifted. An unorthodox solution lay in utilising the sliver of land between the existing house and clifftop.

Thankfully, the question “Would you like to build a three-storey extension to the boundary on a crumbling clifftop?” captured the client’s sense of imaginatio­n and Clifftop House emerged on pieces of yellow trace.

THE DESIGN

As the first sketches were presented a landslide occurred, destroying an enormous historic porphyry wall bounding the property along Walker Avenue. The main approach to the site is from a low vantage point ascending the hill; thus the monolithic stone wall would serve as a dramatic podium for the new structure.

The floorplan of the existing house was divided into quadrants. The architects selected the largest rear quadrant, which was not visible from the street, to dissolve and connect to an extension of 5m with a 27m long elevation to the clifftop.

The extension is raised up 1.5m from the existing house to capture river views and breezes and also to the upper storeys to float above the clifftop and tree canopy when viewed from the base of the cliffs.

A weathered and natural material palette has been inspired by the texture of the cliff face. Concrete was utilised as the structure and main fabric of the building, deliberate­ly exposed and finished in a worn and weathered manner.

Timber window frames and cladding were introduced to soften the architectu­re from a Brutalist statement to an expression of a finely-detailed interior tailored to the complex dynamic of a family of seven.

Bedrooms are split between the original house and extension, with the family brought together in living areas on the ground floor or the third storey which was designed as a “man cave” (or family room according to the five females) and roof garden.

Central voids funnel a stream of light into the house while allowing cross ventilatio­n. The voids provide visual and acoustic separation between rooms, while still affording a vertical connection. In order to balance the shared spaces with the need for solitary, private spaces, the architects convinced the client to extend the brief to incorporat­e a series of small “interludes”.

Clifftop House was built for a budget appropriat­e for the complexity of the site and constraint­s of the existing house. Restraint was employed with the sizes of rooms and the joinery design, enabling spaces to be flexible. The building’s main material is concrete and expense was saved in working with the engineer to design the most efficient suspended concrete structure. The slab itself is impossibly thin and was only achieved by working collaborat­ively with 3D software.

The architects also collaborat­ed with an interior designer who brought a wealth of knowledge to the resolution of detailed cabinetry items. On site, a close relationsh­ip with the contractor allowed further improvemen­t to the design intent and details.

SUSTAINABI­LITY FEATURES

“Clifftop House” makes a meaningful contributi­on to innovation and excellence in environmen­tal sustainabi­lity through the concrete structure being used in a manner similar to “reverse brick veneer constructi­on”.

Concrete walls and ceilings are deliberate­ly exposed where thermal mass is relied upon internally. External heat gain through the concrete walls is minimised by isolating the cladding from the walls with timber battens, and a layer of sisalation wrap. The external cladding systems act as a rainscreen to the concrete frame, and heat gain is minimised to the openings by using plantation timber frames glazed with low-e glass and solid timber louvres.

Glazing is shaded by large concrete eaves and cast in external blind recesses that house automated canvas roller blinds. The long thin building envelope encourages natural light and ventilatio­n and a 22m-long swimming pool extends along the cliff edge to provide cooling breezes to living spaces. SUPPLIERS & CONTRACTOR­S: DESIGNER PANEL SYSTEMS ARCHITECTU­REANDDESIG­N.COM.AU/SUPPLIERS/DESIGNERPA­NEL-SYSTEMS CEDAR SALES ARCHITECTU­REANDDESIG­N. COM.AU/SUPPLIERS/CEDAR-SALES WARWICK BRICK WORKS WARWICKBRI­CKWORKS.COM.AU/ BORAL ARCHITECTU­REANDDESIG­N.COM.AU/SUPPLIERS/USG-BORAL BLUESCOPE STEEL ARCHITECTU­REANDDESIG­N.COM.AU/SUPPLIERS/ BLUESCOPE-STEEL ARTEDOMUS ARCHITECTU­REANDDESIG­N. COM.AU/SUPPLIERS/ARTEDOMUS NATIONAL TILES ARCHITECTU­REANDDESIG­N.COM.AU/SUPPLIERS/NATIONAL-TILES NORTHERN SUBURBS TIMBER FLOORS NSTIMBERFL­OORING. COM.AU/ AUSSIE WOODWORKS AUSSIEWOOD­WORKS. COM.AU/ ALEX EARL MADE ALEXEARL.COM.AU/ABOUT/

 ??  ??
 ??  ??
 ??  ??
 ??  ?? PREVIOUS: The floorplan of the existing house was divided into quadrants.ABOVE: Timber window frames and cladding were introduced to soften the architectu­re.
PREVIOUS: The floorplan of the existing house was divided into quadrants.ABOVE: Timber window frames and cladding were introduced to soften the architectu­re.
 ??  ?? RIGHT: The building’s main material is concrete and expense was saved in working with the engineer to design the most efficient suspended concrete structure.
RIGHT: The building’s main material is concrete and expense was saved in working with the engineer to design the most efficient suspended concrete structure.
 ??  ?? BELOW: Glazing is shaded by large concrete eaves and cast in external blind recesses that house automated canvas roller blinds.
BELOW: Glazing is shaded by large concrete eaves and cast in external blind recesses that house automated canvas roller blinds.
 ??  ?? RIGHT: Originally, the site presented as a triangular parcel of land apologetic­ally wedged between grand, sweeping residences in a leafy suburban street in Teneriffe.
RIGHT: Originally, the site presented as a triangular parcel of land apologetic­ally wedged between grand, sweeping residences in a leafy suburban street in Teneriffe.

Newspapers in English

Newspapers from Australia