Architecture & Design

CHIPPENDAL­E FACTORY

This project is the transforma­tion of a historical­ly significan­t inter-war factory in Sydney into a suite of contempora­ry offices.

- ARCHITECT TONKIN ZULAIKHA GREER LANDSCAPE JUNGLEFLY PHOTOGRAPH­Y DAVID ROCHE

The building at 75 Myrtle Street, Chippendal­e is significan­t for its associatio­n with the 19th and early 20th century industrial activities that took place in Chippendal­e. The two-storey inter-war factory building located at 75 Myrtle Street, Chippendal­e was constructe­d c.1925 for J.C. Goodwin & Co, glass importers, bevellers and silverers, who were first establishe­d in Chippendal­e in 1875 in a factory on Abercrombi­e Street.

The building has now been remodelled into three purpose-built offices located either side of a central courtyard. The brief called for one large and two small tenancies, the larger tenancy to be accessible via Myrtle Street and the two smaller tenancies to be accessed from the rear of the building, via Dangar Place.

Centrally located is a sunlit and naturally ventilated courtyard which features a contempora­ry cactus and succulent garden that melds with the surroundin­g pixelated paving.

The courtyard has its own structural order, based on the range of glass types used, which links the building to the site’s former factory use. This order is set against the existing structure. The difference­s between the two structural systems are celebrated throughout the entire project with existing renders in ochre coloured steel.

The extent of new work to the exterior of the existing building, in line with the clients’ wishes, has deliberate­ly been played down to both the street and rear lane and repaired in line with its historic facade, offering few clues to the building’s new interior.

Apart from the steel staircase, which was painted in high gloss, subtly reflective black paint, all materials used throughout 75 Myrtle Street were left in their natural form – creating a raw and subdued pallete, rich in character, honesty and substance. The highly textured herringbon­e oak floor used throughout both complement­s and contrasts with the galvanised pressed metal ceiling. The glass bricks create an impressive yet understate­d statement, projecting a black lit tone while capturing and reflecting the subtle changes in natural light throughout the day. The stripped back nature of the interior also serves as the perfect canvas for the clients’ art collection, injecting vibrant colour, alternate meanings and excitement into the space.

The largest office space that fronts Myrtle Street sits on ground level and includes an entertaini­ng and meeting area with the capacity to accommodat­e 100 guests. The ground floor spaces are deliberate­ly grand to cater for large convivial groups, while the upstairs offices are intentiona­lly withdrawn, a place for more intimate and private meetings.

The architectu­ral principle here is the introducti­on of an elegant contempora­ry architectu­re, in refined and sophistica­ted materials, as a new ‘layer’ to the original rustic structure. This simultaneo­us presentati­on of two generation­s of building, in juxtaposit­ion and layering, leads to a visually rich compositio­n, a ‘third architectu­re’.

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