Artist's Back to Basics

MATERIALS

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• Arches 300gsm smooth hot-press watercolou­r paper

• 4H graphite pencil

• Windsor & Newton Masking fluid

• Hunt Globe 513H calligraph­er nib

Watercolou­r Pigments

• Windsor & Newton

• Perylene Green

• Quinacrido­ne Red

• Perylene Maroon

• Perylene Violet

• Ultramarin­e Blue (green shade)

Schmike

• Vanadium Yellow

• Cerulean Blue Tone

• May Green

• Brilliant Blue Violet

Daniel Smith • Quinacrido­ne Gold

Brushes

• A series of good sable watercolou­r brushes Sizes 6, 5 and 4

• ¼ Taklon Neef comb

• 4,6,8 Smooshing brush

• Da Vinci Short handled Nova Synthetic Retouch Brush 5575 sizes 00, 000

of the specimen. Ensure to keep light areas free of pigment.

Step 4

Once dry, re-wet and apply a weak wash of Schminke Vanadium Yellow to indicate the warmest tones. These washes will give us variation of tone in the local colour.

Step 5

Once this wash has dried, apply a light wash of W&N

Quinacrido­ne Red. This will start to give us our local colour.

Step 6

Review preliminar­y washes, wet the watercolou­r paper and apply a light wash of Daniel Smith Quinacrido­ne Gold and allow to completely dry.

Step 7

Mix together equal parts Quinacrido­ne Gold and W& N

Perylene Maroon to create a strong chestnut colour and apply gently to the leaf areas which shows signs of damage. Allow to completely dry.

Step 8

Once this wash has dried, apply a heavier wash of Quinacrido­ne Red. This will start to intensify the local colour.

Step 9

Remove the masking fluid using your finger. Ensure your hands are clean and the paper is dry.

Step 10

Reapply masking fluid to blemish areas to conserve the white of the paper. Soften the other masking fluid lines with clean water and a soft brush by gently pushing pigment into the conserved white areas outlined by the masking fluid.

Step 11

Apply washes of Quinacrido­ne Gold followed by Quinacrido­ne Red. Allow to dry.

Step 12

With the ¼ NEEF comb, gently comb in Quinacrido­ne Red using a blushing action and the few tips of the comb. This dry brush technique will give a lovely gradual intensity to the leaf colour.

Step 13

Repeat the combing applicatio­n with a mix of Quinacrido­ne Red and Perylene Maroon.

Step 14

Using a Da Vinci Short handled Nova Synthetic Retouch Brush size 00, define veins with a mix of Perylene Violet and Brilliant Blue Violet.

Step 15

Define the leave stem (petiole) using a Da Vinci Short handled Nova Synthetic Retouch Brush size 000 and applicatio­ns of Perylene Maroon, Perylene Violet and Brilliant Blue Violet.

Step 16

A final edit of leaf edges using Brilliant Blue Violet.

Final Step

Remove any remaining masking fluid.

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