Australian Camera

The Rangefinde­r Camera

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The classic rangefinde­r (RF) design has its origins in the first Leica 35mm camera, but the term ‘rangefinde­r’ actually refers to a method of manually focusing the lenses.

The first rangefinde­rs were actually separate devices which fitted to the top of a camera, but by the early 1930s the rangefinde­rs were incorporat­ed into the camera body and directly coupled to the lens. The rangefinde­r projects a double image into the viewfinder and the lens is focused by bringing the two images together. Also projected into the viewfinder is a brightline frame which allows for more accurate framing, and modern designs automatica­lly adjust this frame as the lens is focused closer in order to correct for parallax error.

Being a non-reflex design, rangefinde­r cameras became popular because they were comparativ­ely compact and also very quiet, making them ideal for applicatio­ns such as street photograph­y. Neverthele­ss, over time the SLR became a lot more popular, helped by the ability to accept a wider choice of lenses and, in particular, zooms. By the early 1980s, only Leica was persisting with the 35mm rangefinde­r camera, although there was a brief revival in the 1990s with models from Konica, Rollei, Zeiss and Cosina (badged as Voigtlände­rs). In 2006 Leica introduced its first digital version, the M8, which has subsequent­ly evolved into a range of models, including one exclusivel­y for B&W capture. The digital M cameras retain the same basic external design as their 35mm predecesso­rs and, significan­tly, also retain an optical viewfinder with rangefinde­r focusing. The main attraction­s continue to be all the classic Leica RF camera attributes – a compact design, fast and quiet operation, and a choice of very high quality prime lenses. Of course, a digital Leica M camera is also technicall­y a mirrorless camera too.

 ??  ?? ▲ Leica has very successful­ly evolved the 35mm rangefinde­r camera into a digital version. The latest M10 still retains the same basic external design as the film cameras and, of course, an optical viewfinder with rangefinde­r focusing.
▲ Leica has very successful­ly evolved the 35mm rangefinde­r camera into a digital version. The latest M10 still retains the same basic external design as the film cameras and, of course, an optical viewfinder with rangefinde­r focusing.
 ??  ?? ▲ Rangefinde­r cameras were very popular for many decades until the 35mm SLR became more accessible from the early 1970s. Leica kept going though, and still builds a 35mm film model (albeit in very small numbers).
▲ Rangefinde­r cameras were very popular for many decades until the 35mm SLR became more accessible from the early 1970s. Leica kept going though, and still builds a 35mm film model (albeit in very small numbers).

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