Australian Geographic

Snapshot

A series of giant artworks on old grain silos is helping reinvigora­te a string of small towns in the Wimmera-Mallee region of western Victoria.

- CHRISSIE GOLDRICK

The rural murals bringing life to small-town Victoria

THE VICTORIAN RURAL Art Trail began with one small country town and one large-scale street artist and has expanded to become a 200km outdoor gallery through some of north-western Victoria’s most deprived regional communitie­s. In 2016 artist Guido Van Helten painted a set of decommissi­oned wheat silos in Brim (pop. 171) with four photoreali­stic monochrome portraits of farmers.The mural was the brainchild of Juddy Roller, a Melbourne street-art collective that, with the permission of Graincorp (which owns this and many more silo sites around Australia), worked closely with the local community to sensitivel­y depict Brim’s agricultur­al heritage.The project attracted internatio­nal media attention and visitors followed in droves. Nearby communitie­s were galvanised into action, and by 2018 five more giant artworks had been completed on old silos in the towns of Rosebery, Lascelles, Rupanyup, Sheep Hills and Patchewoll­ock. These aren’t Australia’s only painted storage towers but they are the first to be imagined as an integrated outdoor art trail, which is now widely regarded as the country’s largest art gallery. Changed farming practices, rail closures and industry compliance issues have all contribute­d to the demise of most of the towering concrete silos that defined the nation’s rural skyline for more than a century. Their transforma­tion into huge canvases depicting powerful, emotive images of country life and people has captured the public imaginatio­n and brought pride to communitie­s dealing with multiple problems – not least of which is the worst drought since the Millennium Drought of 2001– 09. In May, Brim’s painted silos (right) featured on a set of Australia Post limited edition stamps, and Graincorp has received hundreds of applicatio­ns from country towns keen to add their silos to this rural art movement.

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