Australian Guitar

Acoustica Mixcraft 9 Pro Studio

ACOUSTICA MIXCRAFT’S LATEST UPDATE PUTS IT UP THERE WITH THE BEST PC DAWS CURRENTLY AVAILABLE. SO IS IT TIME FOR YOU TO OPEN A NEW DAW?

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Acoustica’s Mixcraft DAW is one of those quietly successful applicatio­ns that doesn’t seem to blow its own trumpet, yet scores consistent­ly well whenever it’s reviewed on these pages. In short, it does the job well, so doesn’t need to shout from the rooftops about it! It might also not be on your radar because it’s a PC-only DAW, but if it is on your radar, you’ll know it comes packed with enough features to be a serious PC contender. It’s already a bargain as is, but there’s also a cut-down Recording Studio version that lacks the Celemony Melodyne integratio­n, a lot of the included plugin instrument­s and effects and other features – we think Pro Studio is well worth the extra few bucks.

Mixcraft has always offered a welcoming music production environmen­t with a claimed ‘great ease of use combined with raw power’, and it’s hard to argue with this. It’s a traditiona­l DAW in the sense that tracks go top to bottom and arrangemen­t flows left to right. There’s a well-featured mixer where you expect it to be and the UI is very welcoming indeed and easy to interact with, so the workflow is almost second to none on this platform. These refinement­s and a series of pro features have come through regular updates over many years that have seen the software mature to its current ‘Pro Studio’ status.

This latest 9 Pro Studio version has a wealth of additions, like a new suite of plugin effects and instrument­s including Cherry Audio’s marvellous Voltage Modular Ignite, plus there are additional automation and mix features and the ability to detach and attach UI panels.

After buying, you’ll download the main 9 Pro program installer (clocking in around 540MB) and unlock it with a serial code. You’ll also likely have to use a separate code and download to unlock the aforementi­oned Voltage Modular software.

It’s a very easy process and the installer takes you through all of the extras so you’ll soon be up and running. What we’ve always loved about this DAW is the smooth resizing of Windows so the mixer, for example, invades your arrangemen­t just to the level you wish, and track width and height adjustment­s, along with zooming, are all slick and precise.

The panel detachment feature is new to v9 – you could only do it with the lower panel in v8 – and it adds a great level of customisat­ion to how the software is laid out, and you will want to use it, as taken as one block, Mixcraft can initially feel daunting. However, once you get into it, this feeling soon passes; loading instrument­s and effects, resizing, and customisin­g all become second nature.

So to the newcomers and Cherry Audio’s modular synth system needs no introducti­on to regular readers as a version of it is featured in the Plugin Suite. Here you get 45 software modules – including oscillator­s, effects and arpeggiato­r – so you can quickly experience the joys of hardware modular synthesis in your DAW. The new TB bundle of multi effects (including MultiFX, Reverb, Parametric EQ, BusCompres­sor, Barricade, De-esser and Compressor), is, of course, welcome but finds itself in a crowded field that already includes Mastering Essentials from iZotope and dozens of other mixing and creative effects that are very good indeed. However, the new additions mean that the library covers just about every mixing and mastering function you could wish for – this side of Mixcraft really is very well featured indeed.

Perhaps more welcome is the additional functional­ity within the mixer – with new Gain, Drive, Compressor and other effects as standard along the channel strip – plus the automation features which allow curved, tempo and pitch automation and are very easy to implement and offer some excellent and precise control (not to mention optional LFO control) over your mix movement and evolution.

THE BOTTOM LINE

Mixcraft 9 Pro Studio might have only had a single-figure number of improvemen­ts and additions, but they are all pretty major ones. We love Cherry Audio’s Voltage Modular, but really you should be upgrading for features like the new suite of plugins and the additional workflow enhancemen­ts.

As to whether you should take the leap from your existing DAW, that is always the harder question to answer. It runs slickly on a PC, and offers this smooth music-making experience with enough extras – including a large and well-implemente­d sound library – to help you make pretty much any genre of music you could wish for. The only question is: are you brave enough to close one DAW to open another? Certainly Mixcraft will feel like a familiar change, no matter what your existing platform, and it punches right up there with the best of them.

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