JARRYD JAMES
HAILS FROM BRISBANE, QLD
PLAYS SOLO
SOUNDS LIKE SLICK, SOULFUL CLUB ANTHEMS LATEST DROP P.M.
(LP OUT JANUARY 22ND VIA UNIVERSAL)
What’s your current go-to guitar?
My favourite guitar at the moment is actually a bass – it’s a 1978 Fender Music master. I bought it a few years ago from Southside Guitars in Williamsburg, and ever since I got it, I’ve taken it to pretty much every session I’ve been in. I find it to be a great tool to get ideas started – it’s just so easy to handle; it’s basically a guitar with bass strings on it.
How did you initially fall in love with the instrument?
My very first guitar was one that belonged to my father. I never met him, and he died when I was quite young – around two-years-old – and when I was in high school, it was given to me by his mother. It’s an old Ibanez dreadnought acoustic, and along with it I also inherited one of those original Pignose amps. Those are really cool little things.
What inspires you as a player?
I grew up listening to Bob Dylan, so naturally figured out how to fingerpick as soon as possible. My mum also had a lot of Leo Kottke albums that grabbed my ear. David Gilmour is one of my all-time favourites, and in more modern times I’d have to say Rivers Cuomo of Weezer for his perfectly simple and melodic solos.
Are you much of a gear nerd?
I’m the opposite of a gear nerd – I have really simple needs and tastes. I have a Fender Hot Rod Deluxe Tweed, it’s a newer one but for some reason it came with a vintage Jensen Alnico speaker in it, which I think is quite unusual. Other than that, I don’t own a lot of pedals – just a couple Boss delays and tremolo. When I record, I mostly use plugins for effects.
Do you have any ‘white whales’?
I’d really love to find an old Martin D-28 someday. So expensive though!
What would your signature model look like?
I’m only half serious when I say this, but it would be a left-handed Fender Strat, flipped Hendrix-style back into a right-hander, and then road-worn, but not too much. I have a Fender Jazz Bass that I did the same thing to – I bought it off my friend George McCardle, who used to play in Little River Band, and customised it so I could use it.
If you could jam with any guitarist, dead or alive...
I’ll say D’Angelo for this, and I reckon it would be fun to just jam random stuff with him – maybe a little 12-bar blues action.