The Great Blues Boom

LET’S TAKE AN IN-DEPTH LOOK AT THE MUSIC THAT LAUNCHED THE BLUES TO POPULARITY, AND THE ICONIC BLUES GUITARISTS WHO BIRTHED THE ORIGINAL ROCKSTAR PERSONA.

Robert Johnson, Son House, Lead Belly, Memphis Minnie, Charley Patton, John Lee Hooker, Howlin’ Wolf… History has a way of deifying names such as these, ensuring that they’re spoken about in awed, reverent tones because of their innovative musical inspiration. In one respect, this reverence is completely justified. These blues guitarists are among the founders of rock ’n’ roll, and of popular music as a whole. Without them there would be no Chuck Berry, Keith Richards,

Eric Clapton, Jeff Beck, Jimmy Page, Duane Allman, Samantha Fish or Gary Clark Jr, to name a few of the guitarists influenced by their music.

And so they are revered, not only for their music, guitar talents or songwriting abilities, but also for the hard lives they led, which were more often than not painted into their music. These legends of blues plied their craft during one of the ugliest periods of racial strife and economic disparity in America. Alcohol, drugs, crime and poverty were among the hardships that informed their music. Lead Belly was a convicted murderer, Robert Johnson a serial womaniser. Son House was a hard-drinking ex-con, and boozy Memphis Minnie was known to hold her own in a fight. Only a fool would mess with any of them.

The music itself often gets the hagiography treatment too, in a way that smooths its legacy and ignores the circumstances that bred it. The likes of Lead Belly have been embraced as folk heroes by artists such as Bob Dylan, and by the most recent crop of new blues-rock bands, who have favoured these older figures over the classic blues-rock explosion crowd of the 1960s, because they’re more authentic and raw. Nirvana effectively turned the MTV generation on to Delta blues with their cover of Lead Belly’s “In the Pines”/“Where Did You Sleep Last Night?”

But an artist like Lead Belly wasn’t trying to be restrained or virtuous. He was just working with the tools he had – that sparser sound he and his peers honed in the days before Marshall stacks and Fender Strats. If Robert Johnson or Blind Lemon Jefferson had had access to an electric guitar, there’s every chance he would have cranked it all the way to 11, like the rock ‘n’ roll stars who were to come. And that’s what the men and women on the next few pages were: the pioneers of blues and rock ‘n’ roll, yes – but also the first rockstars.