Australian Guitar

• Sterling By Music Man Mariposa + Cutlass CT50HSS

TWO STUNNING NEW STERLINGS THAT SHOW JUST HOW MUCH THE GAP BETWEEN ENTRY LEVEL AND FLAGSHIP GUITARS HAVE NARROWED.

- REVIEW BY CHRIS GILL.

Two new models recently introduced by Sterling by Music Man – the Mariposa and Cutlass CT50HSS – show just how much the gap between entry level and flagship guitars have narrowed in recent years. Both instrument­s are close enough to their Music Man equivalent­s to fool most audiences and players.

The Sterling by Music Man Mariposa features the same compact, angular body style of the Music Man model designed by Omar Rodriguez-Lopez, and the Sterling Cutlass CT50HSS is the equivalent of the Music Man Cutlass RS HSS, featuring a humbucker/ single/single pickup configurat­ion and Strat-like asymmetric­al double-cutaway shape.

The necks are crafted from roasted maple and provide a 25.5-inch scale, 12-inch radius, 22 medium frets and 1.65-inch nut width. The necks are solidly attached to the body with five bolts at a smoothly sculpted heel, and the oversized Four-by-two headstocks are equipped with locking tuners.

The main difference­s are that the Mariposa’s neck has a rosewood fingerboar­d with white pearloid block inlays and the headstock is painted to match the body, while the Cutlass CT50HSS has either a rosewood or roasted maple fingerboar­d both with dot markers and the headstock is not painted. Both models also include a vintage-style tremolo.

The Cutlass has a poplar body. The neck and middle single-coil pickups and bridge humbucker are Sterling by Music Man’s own designs, wired to master volume and master tone controls and a five-position blade pickup selector switch that provides bridge, bridge/ middle, middle, neck/middle and neck settings.

The Mariposa’s body is crafted from nyatoh. The pair of custom artist humbuckers have chrome-plated covers, and the electronic circuit features individual volume controls for each pickup and a three-way toggle pickup switch. Although the Sterling versions here may not look quite as fancy as their Music Man counterpar­ts to the trained eye, most players would not be able to tell the difference in feel and playabilit­y in a blindfolde­d comparison. Both have a smooth, fast playabilit­y and solid feel, and the attention to detail throughout the entire constructi­on is impressive.

Both models have traditiona­l nuts instead of the compensate­d nuts found on their Music Man counterpar­ts, so the intonation, while excellent, isn’t quite as meticulous­ly dialled in. While they’re made from different tonewoods than their Music Man equivalent­s, which are built from okoume and alder, respective­ly, they sound surprising­ly similar as well. The Sterling Mariposa is slightly more aggressive and raw. The midrange is remarkably clear, providing outstandin­g clarity and definition whether played clean or with highly saturated distortion.

The Cutlass provides an attractive balance between harmonical­ly rich humbucker and spanky, percussive single-coil tones with a sparkly-butfull-bodied treble. Both instrument­s have a ton of distinctiv­e character, standing far above most competing solidbodie­s in their class.

VERDICT

The Sterling Mariposa and Cutlass CT50HSS are outstandin­g, versatile instrument­s that far outperform their surprising affordabil­ity.

PROS

Both models feature necks crafted from roasted maple that provides the lively tone and strength of a vintage, aged neck.

CONS

None.

CONTACT

CMC Music

Ph: (02) 9905 2511 Web: cmcmusic.com.au

 ??  ??
 ??  ??

Newspapers in English

Newspapers from Australia