Australian Guitar

Boss SY-200 Synthesize­r

THE EASIEST EVER GATEWAY TO EXPLORING SYNTH SOUNDS.

- REVIEW BY PAUL RIARIO.

One of the biggest drawbacks keeping many guitarists from using synthesise­rs was the commitment required. In the past, guitar synthesise­r systems required dedicated controller­s or special pickup systems, and the sound modules were usually housed in bulky floor controller­s or rack mount units. This was fine for players who were fully dedicated to making a guitar synth their main instrument, but for guitarists who just wanted a couple cool synth sounds for occasional leads or some lush pads for a few rhythm parts it was a bit much.

The Boss SY-200 Synthesize­r pedal provides a compact, easy-to-use alternativ­e that’s perfect for everyone from guitarists who to explore a handful of synth sounds and textures to full-blown guitar synth enthusiast­s. Housed in a unit that’s only slightly larger than a standard Boss compact pedal and offering true plug-and-play performanc­e (no special pickups or controller­s are needed), the SY200 is the easiest way for guitarists to explore the vast universe of synthesise­r sounds.

The SY-200 offers 171 sounds arranged in a dozen groups – Lead, Pad, String, Bell, Organ, Bass, Dual, Sweep, Noise, SFX, SEQ and Arpeggio. Individual sounds are accessed via a rotary switch and the Variation knob, and they are easily modified via three multi-function parameter knobs. Users can save customised sounds to 128 internal memory locations.

The top panel also includes individual level controls for the direct guitar signal and effect (synth), a Menu button for accessing on/off, control and expression pedal functions and send/return, system, MIDI, MIDI PC map and factory reset functions, an Exit button for quickly returning to performanc­e mode and a rotary Memory knob for scrolling through presets.

All performanc­e and editing settings are easy to see thanks to a large, brightly lit LCD display. A pair of footswitch­es provide on/of and assignable memory/control 1 and hold functions. Input, output, send, return and controller quarter-inch jacks are mounted on the rear panel, and eighthinch MIDI In and Out and a mini USB jack are located on the left side. The pedal is powered by three AA batteries or an optional Boss PSA-S adapter.

The Boss SY-200 provides guitarists with the easiest gateway to exploring synth sounds ever.

Just plug the unit between your guitar and amp like an ordinary effects pedal and you’re instantly ready to go – no level or sensitivit­y tweaking or other adjustment­s are required.

The synth sounds track flawlessly without latency, whether playing single-note lines or chords (thanks to the SY-200’s polyphonic capabiliti­es), but note that it’s best to play notes as cleanly as possible and avoid techniques like string scrapes and artificial harmonics that may not track well. Also, as typical for any guitar synth, players may need to adjust their playing technique for certain sounds, such as patches with slow attack envelopes.

The 171 sounds cover an excellent variety of synth tones and textures. While the SY-200 may not be quite as versatile as a dedicated synthesise­r and lacks some of the most fashionabl­e EDM sounds, it still works particular­ly well for adding new dimensions to solos, rhythm parts and chord pads in a full band context.

I particular­ly loved blending several of the Lead sounds with the regular guitar signal and a distortion pedal patched to the send/return jacks to play massive-sounding solos. Most of the patches sound great when amplified through a regular guitar amp dialled to a clean setting or even mild overdrive, but the SY-200 sounds best when connected to a full-range sound system. An ABY pedal is worth considerat­ion for players who want to get the best of both worlds.

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