Orange The Guitar Butler
“YOUR TONE IS SERVED,” SAYS ORANGE AS THE RENOWNED BRITISH AMP BUILDER PRESENTS A JUICY NEW PREAMP.
Orange has been turning out consistently great-sounding and innovative products for over 50 years, with a history that goes back to the early days of British blues and rock. Back then, the emphasis was on big, heavy 100-watt heads and 4x12 cabinets. Today, things have changed and many guitarists choose pedals to shape their sound, using amplification purely for making things louder. Consequently, self-contained preamps are increasingly popular and Orange has just released the new Guitar Butler, following on from its popular Bass Butler preamp introduced a couple of years ago.
The Guitar Butler is a full Orange front-end, squeezed into a compact, pedalboard-friendly enclosure and built to Orange’s typically high standards. Inside the alloy box the electronics are all held on one large circuit board, excluding switches and sockets, which are directly mounted to the box and neatly hand-wired into the circuit. The dimensions make it an easy fit on most freestanding pedalboards, with rear-mounted sockets to keep wiring neat. Power comes from an 18-volt DC wall wart, so if you want to use a multi-outlet power supply then make sure it has this option.
The Guitar Butler features footswitchable Clean and Overdrive channels, both with gain controls and a passive three-band EQ. The Overdrive channel also includes a Presence control and two footswitchable master volumes, so you can pre-set one level for rhythm and a louder one for lead. On the back panel, there’s a buffered series effects loop, an amp output on mono jack, and a balanced output on XLR, with a ground lift and cabinet simulation.
We tried out The Guitar Butler with a valve head and a 2x12 Celestion V30-loaded cab. Right from the start, the Clean channel added an expansive vintage-voiced tonality that enhanced single coils and humbuckers, while the JFET-powered lead channel has plenty of overdrive to cater for any taste, from vintage blues to full-on Britpop roar, very typical of the ‘Orange sound’. Hiss and hum levels are impressively low, making this ideal for recording as well as live use.