Australian Hi-Fi

DYNAUDIO EMIT M10 LOUDSPEAKE­RS

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The Emit M10s are this Danish manufactur­er’s smallest model, its least expensive model, and in our view the model that’s most likely to take out a ‘Best Loudspeake­r’ award in 2017.

Dynaudio is one of those increasing­ly-rare companies that’s not only a specialist loudspeake­r manufactur­er (that is, it makes only loudspeake­rs, not amplifiers, streamers and so on) but is also a loudspeake­r company that makes its own drivers as well (that is, it doesn’t buy drivers from other manufactur­ers). This not only gives the company total control over all the speakers it builds, but also means it’s able to use technologi­es and techniques that are rarely found in loudspeake­rs made by manufactur­ers that don’t make their own drivers.

THE EQUIPMENT

The Emit M10 is the smallest loudspeake­r in Dynaudio’s range, measuring just 170×292×240mm (WDH). To save you reaching for your ruler, if you clench your fist, the height of the Emit M10 is about the same as the distance between the crook of your elbow and your knuckles. Put your hands side by side and the width is around the same as the distance between the knuckles of your little fingers. Yep… they’re that small!

The Emit M10 is also the least costly model in Dynaudio’s range, still selling here in Australia for less than $1,000, despite the plunge in the Aussie dollar that followed the Donald’s win in the USA.

It should be pointed out right now that the reason for this low cost is not because Dynaudio has moved production to China. According to George Poutakidis, of BusiSoft, who distribute­s Dynaudio in Australia, all Dynaudio speakers are still manufactur­ed in Denmark, just as they have been since the company was founded in that country ‘way back in 1976.

As should be evident from the photograph, the Emit M10 is a two-way design. The bass/ midrange driver is specified by Dynaudio as being 140mm in diameter, but the overall diameter is somewhat larger, at 144mm, and the mounting hole diameter, which is often used to specify driver diameter slightly smaller, at 134mm. The total moving part of the speaker (that is, cone plus roll surround) is 113mm, the Thiele/Small diameter is 106mm and the cone diameter is 95mm. This puts the effective piston area (Sd) of this driver at 90cm².

As with almost all Dynaudio’s cone speakers, the bass/mid in the Emit M10 uses the company’s trademarke­d ‘MSP’ (magnesium silicate polymer) as its cone material. The cone is driven by a 38mm diameter voice coil wound with aluminium wire, rather than the copper wire that most driver manufactur­ers use. As aluminium is much lighter than copper, this allows Dynaudio to increase the number of turns in the coil and also use larger-diameter voice coils, while still keeping those coils extremely light.

Dynaudio says that using aluminium makes it possible to double voice coil diameter without increasing mass. This enables the driver to turn electrical energy into cone movement more effectivel­y (technicall­y referred to as the ‘sensitivit­y’ or ‘efficiency’ of the driver, and stated in dBSPL in the specificat­ions) and also means the coil can dissipate heat more efficientl­y, which reduces the chances of both short-term and longterm dynamic compressio­n effects (which occur when the voice coil gets hot, because this causes an increase in coil impedance which results in a correspond­ing decrease in efficiency).

Obviously, such a high-power coil/magnet combo needs a rock-stable platform, and Dynaudio’s driver chassis is certainly that. No flimsy pressed-steel baskets for Dynaudio… the chassis of the bass/midrange driver in the Emit M10 is an incredibly rigid solid alloy casting whose six support ribs have been shaped to enable free air-flow from the rear of the driver. Also, the six ribs are very thin, which also helps with air-flow freedom. The huge, weighty magnet is centre-vented and the frame vents the voice coil both above and below the suspension. Overall, I can’t remember a bass/midrange driver of such high quality being used in a speaker in the Emit M10’s price category.

The tweeter in the Emit M10 is a 28mm soft dome with a convention­al ferrite magnet and the gap between the voice-coil and the magnet structure is filled with ferro-fluid to increase efficiency and help with voice coil cooling. Like the bass/midrange driver, the tweeter’s voice coil is also made from aluminium wire. The soft dome itself is made from silk fabric treated with a coating to fill the micro-gaps between the silk fibres.

What looks on our photograph­s of the Emit M10 to be a cut-away section of the tweeter’s front plate to allow Dynaudio to put it closer to the bass/midrange driver, which improves the point-source imaging and reduces phase errors across the crossover point, is actually not a cutaway at all.

The tweeter’s front plate sits flush with the baffle and the bass/midrange driver is mounted on top of the baffle, with the top edge of the chassis overlappin­g the tweeter’s face-plate. The tweeter itself is the same Dynaudio 81702 type used on all Emit series models.

Not that you could tell from the photograph of the front baffle, because the port is at the rear of the speaker, but the Emit M10 is a bass-reflex design. The port, which measures 140mm long by 50mm diameter, is located high above the speaker terminal plate, which itself is home to just a single pair of multi-way gold-plated fully-shrouded speaker terminals.

As is becoming increasing­ly common, Dynaudio supplies foam bungs that can be inserted in the ports to, in the company’s words, ‘attenuate the bass output (if required).’ According to the manual, if you place the speakers close to a rear boundary, you may get, depending on your room: ‘ a room-induced boost in the low frequency range’, in which case it says using the bungs will ‘ dampen the deep frequencie­s, yielding a more clear and tight sound.’

Dynaudio specs the Emit M10 at ‘50Hz to 23kHz’ (though you should note that because no dB variations are indicated, this is not technicall­y a frequency ‘response’ as such, but a frequency ‘range’), the sensitivit­y at 86dBSPL (1w @ 1m) and the nominal impedance at 6 . The speakers are available in two painted finishes: black and white.

LISTENING SESSIONS

Buying small speakers means you also need to make a decision about where they’re going to be placed in your listening room. They’re obviously ideally suited for wall-mounting using brackets, if this suits your applicatio­n. They’re also ideally suited for positionin­g on flat surfaces such as side tables. They’re also ideal for desktop use. In the Emit M10’s case, they are also small enough to be placed on a standard-height bookshelf, which is something that can’t be said of most so-called ‘bookshelf’ speakers! If you do place the Emit M10s on a bookshelf, you’d be best-advised to fit the port plugs to block the rear-firing bass reflex ports.

Of course many users will choose to place the Emit M10s on stands, which adds to the overall cost, of course, since you have the extra outlay for the stands, but it’s stand-mounting that will allow the Emit M10s to deliver their best and ‘airy-est’ performanc­e. Remember that the further out into the room you put the stands, the better the stereo imaging and stage depth, but the level of bass will diminish the further you move them outwards. These effects are true for any small speaker… it’s advice not just limited to the Emit M10 design. In my listening sessions I compromise­d by using the speakers on stands, but positioned those stands only around 20cm from the rear wall… and enjoyed the substantia­l lift in bass that was the direct result. Obviously you don’t use the bungs in this applicatio­n.

Despite being small loudspeake­rs the Emit M10s are big in the bass department. I discovered this immediatel­y with the very first album I played, which was the late Leonard Cohen’s ‘You Want It Darker’ whose first track is also the title track. After a short motif from the Shaar Hoshomayim Synagogue choir a keyboard bass chimes in and the Emit M10s nail the sound perfectly so you immediatel­y know it’s not a bass guitar, just an instrument that happens to sound exactly like one. Then, when Cohen’s gravelly baritone sings ‘ If you are the dealer, I’m out of the game’ the emotion of what he’s singing… or, more accurately sing/speaks … was perfectly conveyed by Dynaudio’s Emit M10s.

The Emit M10s are big in the bass department, which I discovered with the very first album I played...

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