Australian Hi-Fi

WelCome to the neiGhbourh­ood

Boston Manor (Pure Noise/Sony)

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Much like its cover art, the English emo-punks’ second LP, Welcome to the Neighbourh­ood, is dark, dramatic and doused all over with an alchemisti­c complexity. Tightened ever-more by the dense soundscapi­ng of producer/magician Mike Sapone, the band is impossibly tenacious on Neighbourh­ood—frontman Henry Cox wields an ungodly amount of swagger with his slick and smoky vocal runs, axemen Ash Wilson and Mike Cunniff wreaking absolute havoc with their six-strings behind him. It’s the latter’s brother, Dan, who steals the show, however, his bass work driving tracks with a sharp edge that cements the no-f***s ethos around which Boston Manor’s members build their concepts. It’s an album that begs for repeat listens, its labyrinthi­ne dynamics unravellin­g more with each new spin. Matt Doria

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