Australian House & Garden

Home Stretch On this Melbourne site, an Edwardian cottage and new extension merge in harmony.

A Melbourne family pushed the boundaries of their imaginatio­n with a contempora­ry extension organicall­y grafted onto their plum Edwardian property.

- STORY Stephen Crafti | PHOTOGRAPH­Y Lisbeth Grosmann

Located in a heritage area of inner Melbourne, this centuryold house is surrounded by properties dating from the Edwardian era. “I think the same builder was responsibl­e for at least eight of the neighbouri­ng homes,” says owner Stephanie Chan, current custodian of this striking oldmeets-new dwelling along with her husband, Stefano Sabato, and their two children: Daphne, 10, and Owen, seven.

It was the period charm of the place that caught Stephanie’s eye when she saw it advertised in 2008. Stefano, however, had to see it in person before he was smitten. “He was quite impulsive when he first inspected it, immediatel­y putting up his hand,” says Stephanie. The couple were drawn to the original details, large rooms and high ceilings, as well as the sizeable rear garden washed in northern light. With the right changes, the new parents realised, it would be an ideal family home. Sensibly though, they resisted the urge to renovate straightaw­ay. “We thought we should live here for a while and get the feel of the place, rather than just rush ahead,” says Stephanie.

In the meantime, they’d sometimes chat casually about their dreams with architect Clare Cousins, whose children attended the same childcare centre. In 2013, the couple asked her to take on the project. “We liked her work and felt the design process would be easier with someone we already had an acquaintan­ce with,” says Stephanie. “Clare also has children of a similar age and insight into how a family home should function.”

“Stephanie and Stefano weren’t exactly sure what they were looking for in the renovation, but I could see how passionate they both were for the period detail,” says Clare. Her response was to bridge past and present by creating an unimpeded line of sight from front door to backyard, with a junction where the two styles would meet in harmony.

Unlike many period homes, this one was virtually intact, apart from a rudimentar­y kitchen tacked on the back. The position of the original dining room, now central to the expanded layout, suggested the design of the extension to Cousins, who then oriented the new kitchen and living wing to the garden.

Entering though the leadlight-framed front door, there’s now a main bedroom suite and bathroom to one side; on the other is a study/guestroom, and the formal living and dining rooms. Beyond this point stands the two-storey extension, featuring an open kitchen and informal living area at ground level; above are the children’s bedrooms and a shared bathroom.

Signalling the transition from old to new, the blackbutt timber flips from being on the floor to the ceiling. The new wing’s floor level is slightly lower than the original home, which allows a generous ceiling height on the ground floor. Its concrete flooring extends through large glass sliding doors to the new terrace.

While the existing rooms have been lightly touched, with new fittings and fresh paintwork, the extension runs to warm, elegant minimalism. Although some of the original rooms have changed function, the house maintains its strong, appreciabl­e link to the past, Stephanie says with satisfacti­on. “But of course, I’m really fond of all the contempora­ry features, too!”

Clare Cousins Architects, North Melbourne, Victoria; (03) 9329 2888 or clarecousi­ns.com.au.

MAIN BEDROOM New leadlight panels, made by Adadaz Leadlights from antique fragments, grace this shuttered bay window. ‘New York’ bedside table, Grazia & Co. Quilt cover, sheets and floor cushion, all Jardan. Cushions, Bonnie and Neil. The antique kauri pine rocker was restored by Stephanie’s father. Artworks by Ghostpatro­l (left) and Zhong Chen. UPSTAIRS CORRIDOR Carpeted for softness, this space off the children’s rooms has become an extension of their play area. The ledge at the end is a good spot for checking out the pool.

Smart buy: ‘Escape Twist’ wool carpet in Esther, from $105/m2 (installed), Supertuft. ENSUITE An edited palette and luxe materials have created a calm five-star ambience. Wall and floor tiles, Signorino. Vanity in Carrara marble. Tapware and shower, Astra Walker. Custom shaving mirror (next to niche). Heated towel rail, Hydrotherm. Flos ‘Mini Glo-ball’ wall light, Euroluce. Bowl, Dinosaur Designs. Tantri Mustika ‘High Arch’ vase (with flower), Pinky’s Store. Planters, Scout House (on vanity) and Pinky’s Store. For similar towel, try Myer.

‘ THE CHILDREN BEGGED FOR THE GREEN THEY SAW IN THE CARPET SAMPLES. THEY SAY IT’ S LIKE LIVING ON A LAWN .’ Stephanie

SWIMMING POOL “While the kids are in the pool and I’m on snack-preparatio­n duty, I can see them from the kitchen, which is perfect positionin­g,” says Stephanie. Decorative brickwork conceals a clothes-drying court. Pool design and build by Aquarius Swimming Pools. Smart buy: ‘Chillingha­m White’ bricks, from $2475/1000, Bowral Bricks. ENTRANCE More leadlight panels by Adadaz Leadlights surround the front door. Restored to its former shine, original door hardware pops against the Bristol Treacle-painted door. FRONT YARD A paved pathway wends through relaxed, loosely structured plantings, a soft contrast to the circa 1910 verandah. Landscapin­g by Eckersley Garden Architectu­re. BACKYARD Fine steel fencing maintains the blue views of the pool without compromisi­ng on safety. Along the upstairs windows of the extension, where the kids’ rooms are located, a screen of perforated, fin-like blades provides extra privacy and sun-protection. For Where to Buy, see page 188.

‘AFTER SCHOOL THE KIDS LOVE TO PUT ON THEIR BATHERS AND JUMP IN THE POOL AS FAST AS THEY CAN .’ Stephanie

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 ??  ?? KITCHEN This galley-style layout mixes concrete and stainless-steel elements with blackbutt veneer in natural and black-stained finishes. Miele cooktop and Electrolux fridge. Gessi tapware. Gubi ‘3D’ stools, Surroundin­g. The chopping board was an engagement present. Platter, Marmoset Found. Classicon ‘Selene’ pendant light, Anibou. LIVING ROOM Daphne at the blackbutt desk/large shelf – handy for homework, Lego play and sewing. Floor cushion, Country Road. Vitra ‘Potence’ wall light, Space. Artwork by Sam Michelle. Design classic: Feathersto­n ‘B210’ armchair, from $4590, Grazia & Co.
KITCHEN This galley-style layout mixes concrete and stainless-steel elements with blackbutt veneer in natural and black-stained finishes. Miele cooktop and Electrolux fridge. Gessi tapware. Gubi ‘3D’ stools, Surroundin­g. The chopping board was an engagement present. Platter, Marmoset Found. Classicon ‘Selene’ pendant light, Anibou. LIVING ROOM Daphne at the blackbutt desk/large shelf – handy for homework, Lego play and sewing. Floor cushion, Country Road. Vitra ‘Potence’ wall light, Space. Artwork by Sam Michelle. Design classic: Feathersto­n ‘B210’ armchair, from $4590, Grazia & Co.
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