Australian House & Garden

The Creative Type Robyn Cosgrove.

The Australian rug designer and purveyor extraordin­aire shares the highlights of her creative journey.

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The design seed was planted in me when I was quite young. I grew up in country Queensland and was returning to boarding school after the holidays when my mother took me to the interior design studio where they were making soft furnishing­s for her bedroom. I felt an instant love for all the colours and fabrics scattered around the studio. I couldn’t wait to get back to school and spend time in the library; I loved poring over the pages of the few books available on interior design in the US. They fascinated and excited me as what I was seeing was totally alien, very different to anything available or seen in Australia at the time. I felt a bright new world was opening up to me.

My work day is always busy, flitting between the showroom and the office. An average work day begins around 6am with a brisk and hilly walk around Paddington [in inner Sydney]. Afterwards, I enjoy a relaxed breakfast – I like to catch up on political news over a few cups of Earl Grey tea. Due to Covid-19, I am opening my showroom later, at 11am, so I’m able to linger over my breakfast. It’s a wonderful indulgence.

I need to work late quite often. While I’m working, I sometimes tune into opera or listen to beautiful Baroque music which I so love.

The biggest challenge of my career turned out to be one of my proudest achievemen­ts. Forty-two years ago, I was all fired up with confidence and knowledge, being quietly aware of how the Persian rug trend was being superseded by beautifull­y soft decorative rugs in US interior design. I knew this trend would migrate and I wanted to be the Australian pioneer. In preparatio­n, I had a brief stint working with a Persian-rug company and absorbed all the technical informatio­n relating to and involved with hand-knotted rugs of the world, totally loving it and feeling a genuine connection that still remains.

On my very first visit to India, also 42 years ago, I arrived at 1 o’clock on a cold December morning. Total shock set in. I visited weaving houses 200 miles (322 kilometres) outside Varanasi, in the country’s north. There were no modern highways back then – elephants, camels, cows, donkeys, overloaded buses and so on were all sharing the same narrow two-lane road... Following this first gruelling trip, I made many more, three times each year, before branching out into other weaving

countries as the new ‘design rug’ evolved. Those early experience­s were challengin­g but eventually turned into one of my great achievemen­ts, especially given the fact that the industry is totally male-dominated. I also regard the opportunit­y to work with great designers on high-end projects among my other achievemen­ts.

I work a six-day week, so my Sundays are precious. Always very relaxed. I like to spend time at home cooking or in the garden or reading. Spending time with family and the tribe of grandchild­ren is always a bonus.

My creativity really switches on when I’m in Europe. It’s a whole new environmen­t of colour and form, with fabulous galleries that showcase spectacula­r art. There’s so much to absorb.

There are many Australian designers I greatly admire, along with Italian interior designer Achille Salvagni, the late French photograph­er and interior designer Alberto Pinto (his firm is now expertly headed by his sister Linda), Lebanese-French designer and art curator Chahan Minassian, and Pierre Yovanovitc­h, who is also from France. Favourite artists would have to be the Cubists, especially Fernand Léger, and the Baroque master, Caravaggio.

I’m currently reading A Well-Behaved Woman by Therese Anne Fowler. It’s a historical novel about Alva Vanderbilt, of the famed society family, in the Jazz Age.

When it comes to fashion, I cherry-pick between Dolce & Gabbana, Alexander McQueen and Prada. I need to be mindful of my age!

To me, true luxury is spending time in Italy. In Rome, in particular, where I stay at the exquisite boutique hotel The Villon. Rome is a city

I will never tire of – there’s such energy and decorative inspiratio­n there. Noto in Sicily is beautiful too, with captivatin­g unique Baroque architectu­re. It’s a very inspiring place to be.

My local area is filled with lovely restaurant­s and cafes. Barbetta, an Italian cafe/restaurant near my home in Paddington, is a favourite for celebrator­y family Sunday lunches and early breakfasts before work. I’m also a regular at Luxe Woollahra and The Plane Tree cafes, both located near my showroom. # Robyn Cosgrove; robyncosgr­ove.com.

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 ??  ?? ROBYN’S FAVOURITE THINGS Bottom, from left Lancea limited-edition table lamp by Achille Salvagni Atelier. A Well-Behaved Woman book by Therese Anne Fowler. Technical trench
coat, Prada. Gae limitededi­tion armchair by Achille Salvagni Atelier.
ROBYN’S FAVOURITE THINGS Bottom, from left Lancea limited-edition table lamp by Achille Salvagni Atelier. A Well-Behaved Woman book by Therese Anne Fowler. Technical trench coat, Prada. Gae limitededi­tion armchair by Achille Salvagni Atelier.
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