Australian House & Garden

Industrial Evolution A relaxing retreat garden that honours its hard-working past.

A courtyard garden in the heart of Sydney provides a welcome inner-city retreat for its owners while honouring its hard-working past.

- STORY Jane Rowley | PHOTOGRAPH­Y Brigid Arnott

Steadfast city dwellers Nik Auzins and Emma Shearer value the eclectic buildings that define Sydney’s innercity suburb of Annandale. New-build high-rise apartments jostle with 1970s offices, while narrow terraces and ageing warehouses spill down to the harbour. “The heritage of the area and its industrial past is visible not only in the architectu­re but also in the remnants of old machinery along the waterfront,” says Emma.

Charmed by the character of the area, the couple bought an abandoned warehouse that had been weathered by 90 years of manufactur­ing and trade. They converted the vaulted spaces, rough brick walls and exposed timber into a stunning home. Then, to complete the build, they purchased the adjoining disused courtyard and commission­ed landscape designer Hugh Main from Spirit Level to transform the 100-square-metre space.

They wanted a garden that would honour its industrial heritage while also providing them with sanctuary and catering for their beloved Portuguese water dogs, Issy and Bica.

To fulfil the brief, Hugh chose hardscapin­g materials that matched the existing palette. “I didn’t want to create a meadow – it’s a former factory and the design is unapologet­ic about that,” he says. A timber deck extends the living area into the outdoor space, shaded by a steel-framed timber pergola. Weathering

steel, with its red rusted finish, was used to construct planter boxes that overflow with a collection of succulents including the quirky ripple jade plant ( Crassula undulatifo­lia ‘Max Cook’). To reinforce the raw industrial vernacular, the swimming pool is reminiscen­t of an abandoned factory pit filled with water. It’s tiled in slate grey, creating a dark reflective surface that mirrors the sky. Despite its industrial appearance, this is a chemical free pool; the water is cleaned via a series of filters including a water garden that runs the length of the main pool and acts as a firststage biological filter. The ultimate comfort for sensitive human (and canine) skin.

The planting here creates the feel of a disused building slowly being reclaimed by nature. “You walk into an old factory and things are still alive and thriving. Things are coming up through the cracks or growing on the walls,” says Hugh. In keeping with this theme, trees are randomly planted in the space as if birds had dropped the seeds. The glossy leaves and strong vertical lines of the Australian native water gum ( Tristaniop­sis laurina ‘Luscious’) provide a foil for the original brick walls with their horizontal stretcher bond pattern, as does the tropical birch ( Betula nigra) with its papery red-brown bark that flakes to reveal a grey trunk. An underplant­ing of mixed perennials and grasses billow from a curvaceous bed threatenin­g to engulf a solid sandstone block that serves as a bench seat and focal point. Dating from the early 20th century and weighing more than a tonne, the reclaimed stone displays evidence of the original stonemason’s craft, with arrow-shaped depression­s (originally designed to hold mortar) still visible on either side.

To further honour the building’s industrial origins, Nik and Emma chose to make a feature of a difficult space. One side of the main living room looks onto a narrow passage hemmed by the two-storey brick wall of an adjoining building. Local artist Daniel O’Toole was commission­ed to create an eye-catching mural in a graffiti style. To integrate the mural into the garden, Hugh added narrow weathering steel planters filled with Boston ivy ( Parthenoci­ssus tricuspida­ta). The original plan called for the ivy to creep over the image, leaving only sections of colour peeking through, but once the artwork was finished, Emma couldn’t bear the thought of covering it. Instead, stainless-steel wires were added to train the ivy into a frame. “The creeper on the wall gives this space a lot of life and with a bit of street art it’s the perfect solution to finish off the garden,” says Emma.

Today, the raw materials from the site’s industrial past are complement­ed by the informal, untamed nature of the garden, creating a lush, enveloping, private retreat in the heart of Australia’s busiest city.

“It’s a former factory and the design is unapologet­ic about that.” Hugh Main, landscape designer

Spirit Level, Surry Hills, NSW; (02) 8399 0660 or spiritleve­l.com.au.

 ??  ?? Part of a converted factory space, this garden and pool were designed to conjure a moody, industrial feel. Alongside the pool, landscape designer Hugh Main planted a layered garden bed featuring rough maidenhair fern ( Adiantum hispidulum), Brazilian walking iris ( Neomarica gracilis) and Crassula undulatifo­lia under a tropical birch ( Betula nigra). In front of the wall cut-out is a Cercis
canadensis ‘Forest Pansy’. The pool, installed by Land Forms, is tiled in grey slate. Sandstone coping from Gosford Quarries.
Part of a converted factory space, this garden and pool were designed to conjure a moody, industrial feel. Alongside the pool, landscape designer Hugh Main planted a layered garden bed featuring rough maidenhair fern ( Adiantum hispidulum), Brazilian walking iris ( Neomarica gracilis) and Crassula undulatifo­lia under a tropical birch ( Betula nigra). In front of the wall cut-out is a Cercis canadensis ‘Forest Pansy’. The pool, installed by Land Forms, is tiled in grey slate. Sandstone coping from Gosford Quarries.
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 ??  ?? Emma and Nik commission­ed local artist Daniel O’Toole to paint a graffiti-style mural for the wall facing their living space. Boston ivy ( Parthenoci­ssus tricuspida­ta) creates a living frame. OPPOSITE TOP LEFT
Rough maidenhair fern ( Adiantum hispidulum). OPPOSITE
TOP RIGHT Resident pooch Bica. OPPOSITE BOTTOM Water gums ( Tristaniop­sis laurina ‘Luscious’) and tropical birch ( Betula nigra) line the boundary, a wall made from recycled Waterloo blend bricks from The Brick Pit. The sandstone bench being engulfed by Mexican sage ( Salvia leucantha) once formed the base of a park fence. Water plants include calla lily ( Zantedesch­ia aethiopica) and dwarf papyrus sedge ( Cyperus haspan).
Emma and Nik commission­ed local artist Daniel O’Toole to paint a graffiti-style mural for the wall facing their living space. Boston ivy ( Parthenoci­ssus tricuspida­ta) creates a living frame. OPPOSITE TOP LEFT Rough maidenhair fern ( Adiantum hispidulum). OPPOSITE TOP RIGHT Resident pooch Bica. OPPOSITE BOTTOM Water gums ( Tristaniop­sis laurina ‘Luscious’) and tropical birch ( Betula nigra) line the boundary, a wall made from recycled Waterloo blend bricks from The Brick Pit. The sandstone bench being engulfed by Mexican sage ( Salvia leucantha) once formed the base of a park fence. Water plants include calla lily ( Zantedesch­ia aethiopica) and dwarf papyrus sedge ( Cyperus haspan).
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 ??  ?? The heart-shaped leaves of a Cercis canadensis ‘Forest Pansy’ are a perfect foil for the bond-patterned brick wall. The tree is underplant­ed with Plectranth­us nico and dwarf tree ferns ( Blechnum
gibbum ‘Silver Lady’). Through the wall cut-out is a row of Himalayan weeping bamboo ( Drepanosta­chyum falcatum). OPPOSITE TOP Boston ivy climbs the wall of the pergola. Jak chairs and Jil table, Tait. Barbecue, Rinnai. Concrete bench by Able Concrete. Iron Deck recycled hardwood decking, Ironwood Australia. OPPOSITE MIDDLE From left
Emma and Nik with their Portuguese water dogs, Bica (left) and Issy. Strobilant­hes gossypinus and seaside
daisies ( Erigeron karvinskia­nus). OPPOSITE BOTTOM From left A rusted-steel planter filled with ripple jade ( Crassula undulatifo­lia). Landscape designer Hugh Main of Spirit Level.
The heart-shaped leaves of a Cercis canadensis ‘Forest Pansy’ are a perfect foil for the bond-patterned brick wall. The tree is underplant­ed with Plectranth­us nico and dwarf tree ferns ( Blechnum gibbum ‘Silver Lady’). Through the wall cut-out is a row of Himalayan weeping bamboo ( Drepanosta­chyum falcatum). OPPOSITE TOP Boston ivy climbs the wall of the pergola. Jak chairs and Jil table, Tait. Barbecue, Rinnai. Concrete bench by Able Concrete. Iron Deck recycled hardwood decking, Ironwood Australia. OPPOSITE MIDDLE From left Emma and Nik with their Portuguese water dogs, Bica (left) and Issy. Strobilant­hes gossypinus and seaside daisies ( Erigeron karvinskia­nus). OPPOSITE BOTTOM From left A rusted-steel planter filled with ripple jade ( Crassula undulatifo­lia). Landscape designer Hugh Main of Spirit Level.

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