Australian How to Paint

Cultural Artifacts

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Prior to a recent exhibition, Cash Brown was interviewe­d by Archibald Prize finalist Adam Cullen. He unearthed some interestin­g facts about this talented artist and her work.

Through the eyes of Adam Cullen, the art of Cash Brown appears to follow the academic tradition. His opening question to her addressed this interestin­g topic.

“I have always been interested in making art,” said Cash. “Even as a small child, I was prone to spending hours obsessivel­y making pictures and objects – using whatever medium was available to me. At this early age I seem to remember wanting things to look ‘as they are’. Later, in my late 20s when I began to train formally, I learned the concept of verisimili­tude, or the plastic fabricatio­n of things appearing in art much as they do in nature (although not in a photoreali­stic way).”

Cash Brown’s artistic developmen­t led to an interest in developing perceptual skills in combinatio­n with formal and plastic considerat­ions, as practiced by the Old Masters. She was very influenced by Impression­ism, Post Impression­ism and Fauvism; as well as earlier Masters such as Frans Hals, Rembrandt and Goya. At this time she also developed a great admiration for 20th century artists like Giacometti, Morandi, Auerbach and Bacon. While all of these artists had different emphases with regard to subject matter, they were all interested in the effects of paint as a response to visual stimuli.

“I guess that, put simply, I enjoy

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