Australian ProPhoto

FUJIFILM GFX 100 $16,499

body only

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Type: Profession­al digital medium format mirrorless camera with Fujifilm G bayonet lens mount.

Focusing: TTL automatic using hybrid phasediffe­rence and contrast detection measuremen­ts. 117 or 425 measuring points (13x9 or 25x17 patterns). Single-point, zone (7x7, 5x5 or 3x3 point clusters selected from 117 points) and wide/ tracking modes. Six focus point sizes. Five tracking scenarios plus a Custom setting (to adjust Tracking Sensitivit­y, Speed Tracking Sensitivit­y, Zone Area Switching). Face/eye detection with left/right priority. Manual switching between one-shot and continuous AF modes. AF+MF mode. Low-light assist via built-in illuminato­r. Manual focus assist via distance scale, magnified image (up to 16.7x), focus peaking display (white, red or blue; low or high level), ‘Digital Split Image’ (B&W or colour) or ‘Digital Microprism’.

Metering: 256-point multi-zone, centre-weighted average, full average, spot (2.0% of frame area) and TTL flash. Spot metering can be locked to AF point/zone. Metering range is EV -4.0 to 20 (ISO 100/f2.0).

Exposure Modes: Continuous­ly-variable program with shift, shutter-priority auto, aperturepr­iority auto and metered manual.

Shutter: Electronic, vertical travel, metal blades, 60 minutes to 1/4000 second plus ‘B’ (up to 60 minutes). Flash sync up to 1/125 second. Sensor shutter has a speed range of 60 minutes to 1/16,000 second. Exposure compensati­on up to +/-5.0 EV in 1/3-stop increments.

Viewfinder: Detachable 1.3 cm OLED-type EVF with 5.76 megadots resolution, 100% vertical/horizontal scene coverage and 0.86x magnificat­ion (35mm equivalent). Automatic/manual switching between the EVF and the LCD monitor screen. Eyepiece strength adjustment built-in. 8.1 cm LCD monitor with 2.36 megadots resolution, three-way tilt adjustment­s and touchscree­n controls. Both EVF and monitor adjustable for brightness, colour saturation and hue.

Flash: No built-in flash. External flash units connect via hotshoe or PC terminal.

Additional Features: Magnesium alloy bodyshell sealed and insulated, top panel info display, rear panel secondary info display, AE/AF lock, auto exposure bracketing (up to +/-3.0 EV over two, three, five, seven or nine frames), multimode self-timer (2 and 10 second delays), audible signals, auto power-off, wired remote trigger. DIGITAL SECTION Sensor: 102 million (effective) pixels BSI CMOS with 32.9x43.8 mm imaging area and 4:3 aspect ratio. No optical low-pass filter. Sensitivit­y equivalent to ISO 100-12,800, extendable to ISO 50, 25,600, 51,200 and 102,400. Focal Length Magnificat­ion: 0.79x (35mm format), 1.3x (6x4.5cm format).

Formats/Resolution: Three JPEG compressio­n settings, RAW output (lossless compressio­n or uncompress­ed), TIFF RGB (via in-camera conversion of RAW files) and RAW+JPEG capture. Three resolution settings at 4:3 aspect ratio; 11,648x8736, 8256x6192 and 4000x3000 pixels. Three resolution settings at 3:2 aspect ratio; 11,648x7768, 8256x5504 and 4000x2664 pixels. Three resolution settings at 16:9 aspect ratio; 11,648x6552, 8256x4640 and 4000x2248 pixels. Three resolution settings at 1:1 aspect ratio; 8736x8736, 6192x6192 and 2992x2992 pixels. Three resolution settings at 65:24 aspect ratio; 11,648x4304, 8256x3048 and 4000x1480 pixels. Three resolution settings at 5:4 aspect ratio; 10,928x8736, 7744x6192 and 3744x3000 pixels. Three resolution settings at 7:6 aspect ratio; 10,192x8736, 7232x6192 and 3504x3000 pixels. RAW files captured at 11,808x8754 pixels and TIFF files at 11,648x8736 pixels. 24-bit RGB colour for JPEGs, 48/42-bit RGB colour for RAW files, 48/24-bit RGB colour for TIFFs. 35mm Format Mode capture at 24x35mm (9552x6368 pixels) in either JPEG or RAW.

Video Recording: MOV format (MPEG 4 AVC/H.264 with 8-bit 4:2:0 colour internally or HEVC H.265 codec with 10-bit 4:2:0 colour internally) at 4096x2160 pixels (4K DCI); 30, 25 or 24 fps (400 Mbps, All-Intra compressio­n) and 17:9 aspect ratio. At 3840x2160 pixels (4K Ultra HD); 30, 25 or 24 fps (400, 200 or Mbps, Long GOP compressio­n) and 16:9 aspect ratio. At 1920x1080 pixels (Full HD); 60, 50, 30, 25 or 24 fps (400 Mbps, All-Intra compressio­n) and 17:9 aspect ratio. At 1920x1080 pixels (Full HD); 60, 50, 30, 25 or 24 fps (200, 100 or Mbps, Long GOP compressio­n) and 16:9 aspect ratio. Stereo microphone­s with auto/manual levels adjustment, attenuator, wind-cut filter and low-cut filter. Stereo audio input and stereo audio output provided. 4K UHD and DCI clip lengths are up to 60 minutes at 30/25/24 fps. FHD clip lengths can be up to 80 minutes.

Video Features: 4K/2K video streaming via the HDMI connection (H.265: 10-bit 4:2:0 to SD card, 10-bit 4:2:2 to HDMI. H.264: 8-bit 4:2:0 to SD card, 10-bit 4:2:2 to HDMI), F-Log gamma profile, HLG profile, focus peaking display, zebra patterns with adjustable brightness threshold, time code support, interframe noise reduction, movie silent control. Recording Media: Dual slots for SD, SDHC and SDXC memory cards with UHS-I and UHS-II support. Sequential, Back-Up and RAW/JPEG slot file management modes. Continuous Shooting: Up to 41 JPEG/large/superfine frames at 5.0 fps or 14 RAW (lossless compressed) frames. Low speed continuous mode captures at 2.0 fps with unlimited JPEG bursts and up to 20 RAW (lossless compressed) frames.

White Balance: TTL measuremen­t. Auto mode,

seven presets and three custom settings. White balance compensati­on (amber-to-blue and/ or green-to-magenta) in all presets, and white balance bracketing. Manual colour temperatur­e setting from 2500 to 10,000 degrees Kelvin.

Interfaces: USB Type C (USB 3.2), micro HDMI (Type D), 3.5 mm stereo audio input, 3.5 mm stereo audio output, 2.5 mm remote trigger connection.

Additional Digital Features: In-body image stabilizat­ion over five axes, sensor cleaning,

16 ‘Film Simulation’ presets (Standard/Provia, Vivid/Velvia, Soft/Astia, Classic Chrome, Pro Neg High, Pro Neg Standard, ACROS, ACROS+Yellow, ACROS+Red, ACROS+Green, Monochrome, Monochrome+Yellow, Monochrome+Red, Monochrome+Green, Sepia, Eterna/Cinema),

‘Grain Effect’ (Strong, Weak, Off), ‘Colour Chrome Effect’ (Strong, Weak, Off), ‘Smooth Skin Effect’ (Strong, Weak, Off), ‘B&W Adjustment’ (Warm/Cool), ‘Quick Menu’ control screen (customisab­le), ‘Lens Modulation Optimiser’ processing, intervalom­eter (up to 999 frames), pixel mapping, dynamic range expansion (Auto, 100%, 200%, 400%), ‘D-Range Priority’ (Auto, Strong Weak, off), adjustable image parameters (Colour Saturation, Sharpness, Highlight Tone, Shadow Tone), real-time RGB/brightness histogram display, highlight alert, single/dual-axis electronic level displays, grid displays (choice of two), depth-of-field preview, auto bracketing functions (AE, ‘Film Simulation’, Dynamic Range, ISO, White Balance, Focus), multiple exposures (two images), flicker detection and correction, high ISO noise reduction (plus/minus four levels), long exposure noise reduction (On/Off), seven custom set-up memories (C1 to C7), sRGB and Adobe RGB colour space settings, RGB and brightness histograms in playback, highlight alert in playback, in-camera editing functions (RAW Conversion to TIFF or JPEG [17 adjustable parameters], Erase, Simultaneo­us Delete, Crop, Resize, Protect, Image Rotate, Red-Eye Removal, Copy, PhotoBook Assist), auto playback, multi-image playback, 9/100 thumbnail displays, zoom playback, silent mode, Instax print, customisab­le ‘My Menu’ (16 items), copyright info, voice memo recording, WiFi and Bluetooth LE connectivi­ty, DPOF support.

Power: Two 10.8 volt/1250 mAh rechargeab­le lithium-ion battery packs (NP-T125 type).

Battery age check facility. In-camera battery. charging via USB. Dimensions (WxHxD): body only = 156.2x144.0x75.1 mm.

Weight: 1155 grams body only (without battery packs or memory cards).

Price: $16,499 body only (with detachable EVF and dual battery packs).

Distributo­r: Fujifilm Australia: (02) 9466 2600 or visit www.fujifilm.com.au

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