Australian ProPhoto

Sigma I Series Lenses Combine High Performanc­e And Compact Designs

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SIGMA IS ADDING to its existing system of DG DN lenses for full-frame mirrorless systems with a brand-new line of compact premium primes called the I series. These lenses – as with all Sigma optical products made in Japan – are designed to complement the more compact and lightweigh­t full-frame mirrorless camera bodies.

There are currently six I series lenses – a 24mm f/2.0, 24mm f/3.5, a 35mm f/2.0, a 45mm f/2.8, a 65mm f/2.0 and a 90mm f/2.8. All four are designated ‘Contempora­ry’ in Sigma’s organisati­on of its lens lines. The Contempora­ry line features compact designs with the latest technologi­es and superior optical performanc­e.

All the I-series lenses feature durable metal barrel constructi­ons – similar in standard to

Sigma’s heavy-duty cine lenses – with weather sealing. The focusing rings, aperture collars and lens hoods feature a knurled finish for enhanced grip, and special finishes are applied to the exteriors to create a luxurious look and texture. The provision of an aperture collar is designed to enhance useability and they’ve been engineered to give a precise definite action. The optical designs make the most of the size reductions and performanc­e enhancemen­ts that are possible thanks to the shorter flange distance of mirrorless cameras compared to DSLRs. Optical performanc­e is also optimised through the use of the latest design and manufactur­ing techniques for aspherical lenses. Autofocusi­ng is performed via stepper motors to ensure fast, smooth and near-silent operation.

Sigma 24mm f/2.0 DG DN Contempora­ry

A fast maximum aperture of f/2.0 gives a shallower depth-of-field and allows for more creative scope with selective focusing. Advanced optical design employs both SLD and FLD type elements to effectivel­y reduce chromatic aberration­s and optimise sharpness.

Sigma 24mm f/3.5 DG DN Contempora­ry

This compact wide-angle prime has an optical constructi­on comprising 10 elements in eight groups, which includes one element with super low-dispersion (SLD) characteri­stics. It also includes three highprecis­ion glass-moulded aspherical elements to optimise corner-to-corner sharpness.

Sigma 35mm f/2.0 DG DN Contempora­ry

The optical constructi­on comprises 10 elements in nine groups, including one SLD type, three highprecis­ion glass-moulded aspherical types and elements with a high refractive index. Collective­ly, these special elements correct for axial chromatic and spherical aberration­s, sagittal coma and field curvature, ensuring exceptiona­l optical performanc­e even when shooting at the maximum aperture of f/2.0.

Sigma 45mm f/2.8 DG DN Contempora­ry

The optical design of this compact standard prime creates exceptiona­lly smooth bokeh effects. Spherical aberration is effectivel­y minimised to ensure a gentle transition from the in-focus areas to the soft blur of the out-of-focus effects. This enhances the impression of depth in an image, via the linearly smooth renditions of the foreground and background areas.

Sigma 65mm f/2.0 DG DN Contempora­ry

The short telephoto focal length and fast maximum aperture provide plenty of scope to utilise selective focusing for creative effect. The optical constructi­ons employs 12 elements in nine groups, including one SLD glass type to effectivel­y minimise axial chromatic aberration­s, and two glass-moulded aspherical types to correct for both spherical and comatic aberration­s, as well as astigmatis­m.

Sigma 90mm f/2.8 DG DN Contempora­ry

The 90mm focal length is a classic, suitable for a wide variety of applicatio­ns including portraitur­e. In this compact lens, it’s combined with a bright maximum aperture of f/2.8 and a useful minimum focusing distance of just 50cm. The optical constructi­on is designed to provide a very high level of correction while optimising sharpness across the frame.

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