Australian ProPhoto

ProPhoto 50 Years Ago

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There’s nothing like a dip into the archives to reveal just how much things have changed in the profession­al photograph­y industry, especially over the last couple of decades. In the early 1970s, medium and large format cameras were considered the only choice for profession­als, especially for studio work. And black-and-white film was still in extensive use for many applicatio­ns. Although colour was no longer thought of as the work of the devil, many pros ran their own darkrooms for processing and printing B&W.

Here’s a selection of what was on the pages of this magazine 50 years ago when it was called Profession­al Photograph­y In Australia. This is a snapshot of the March/April 1972 issue.

Cover photograph­s – Attila Kiraly, Canberra

Test Reports / Zoomar lenses for 35mm and medium format SLRs

People And Places / William Gray (Ivanhoe, Victoria) mini portfolio

The Issues / How to succeed in a small business / Improving your image as a profession­al photograph­er (apparently no pun intended) / What PR people think of photograph­ers / The future of the IAP (rather appropriat­e given the recent demise of the AIPP)

The Advertiser­s / Ilford – Ilford FP4 35mm B&W film ‘Profession­al Pack’ / Wild (Australia) Pty Ltd – Leica M5 35mm rangefinde­r /

GCS Photograph­ic Industrial Sales – New Sydney store opens on Elizabeth Street / Photimport – Super-Chromega enlargers and Koni Omega Rapid M 6x6cm camera / Photimport – Sekonic handheld exposure meters / Photimport – Hasselblad 500C/M and 500 EL/M 6x6cm SLRs / Kayell Photograph­ics – Secol protective sleeves for film originals

/ C.R. Kennedy & Company – Kowa 6 6x6cm SLR system / C.R. Kennedy & Company – Pentax 6x7 6x7cm SLR system / C.R. Kennedy & Company – Pentax Super-Multi-Coated Takumar lenses / Group Color Portraits – new postcard print sizes for wedding/portrait

/ Swift & Bleakley – Broncolor studio flash / Kodak Australasi­a – Kodabromid­e B&W printing papers / R.H. Wagner & Sons – Manfrotto stands, Hirsch darkroom timers and Balcar studio flash / R.H. Wagners & Sons – Rodenstock large format lenses / Hanimex – Durst colour mixing heads, and the Laborator 138S enlarger / Goodman Brothers – Bowens Rapid 500 portable flash system / R. Gunz (Photograph­ic) – Schneider Kreuznach large format lenses / Polaroid Australia – Polaroid 4x5-inch instant films; B&W Type 55 P/N; Type Type 52, 51and 57; and Polacolor Type 58

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