Belle

Principles

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websites as inspiratio­n for their forever home. He in turn spent time with the family to suss out their day-to-day needs. “We wanted our home to suit family living, with the children having their own spaces, and also be able to entertain,” says Jules. “I have five principles – space, light, air, view and sound – get those right and it just flows,” says Joe. And flow it does, and not just thanks to him. “Guy and Jules had a distinct style – they loved concrete, steel, glass, and black and white. I had to get them to back themselves and have the confidence to build the house that reflected them. That way they really own it.”

“Joe opened up our world,” adds Guy. “I love it when someone comes in with fresh eyes and unlocks a home’s potential.”

With few openings on the facade, the house presents like a bunker to the street (“Yes, it’s fortress-like, but my job is fairly public, so I need some privacy,” says Guy). But walk in the front door and it reveals itself miraculous­ly, with soaring voids and spans soaking up expansive ocean views and, of course, that amphitheat­re lies directly before you. “The piano is the first thing you see. It’s a natural stage, especially when the doors are open,” says Joe. Lofty walls of horizontal ribbed concrete soften the void’s verticalit­y, while the spiral stairs complement the curves of the grand piano.

“The foyer and stairs are works of art. I can be sitting at the piano and appreciate all the detail in the concrete,” says Guy. “And that stair was not cheap, but Joe said, ‘think Guggenheim’.” The bravura performanc­e continues down a few steps into the kitchen and family area. Under the six-metre ceiling – with exposed ducts in true warehouse style – sits a massive six-metre-long bench. Adding to the sense of openness, the Freedom Kitchens joinery reads as furniture rather than being built-in. The black ceiling contrasts with crisp white walls that extend into an ‘air chimney’, a lantern roof that keeps the open-plan cool, generating cross-breezes and minimising the need for air-conditioni­ng. “This is my dream kitchen not just because I love cooking – but also because it is so communal,” says Guy.

In the opposing wing are the children’s media room and a guest room. Above this, up the spiral stairs, sits the main bedroom with an ensuite and generous walk-in, and Guy’s bells-and-whistles recording studio, while the other wing accommodat­es the two children’s bedrooms. Perched on the top level is the ‘cigar room’, an intimate club-like space with traditiona­l wainscotin­g walls, a dramatic contrast to the clean finishes downstairs. The decoration of their home weds their slightly divergent tastes. “I like little pops of extravagan­ce in colour and texture whereas Jules is minimalist and monochroma­tic, and likes a continuity of grey, black and white,” says Guy. “I think we have found a balance of the two.”

They chose all their own furniture. Guy looks admiringly at the coffee table he selected in the living area, while Jules picked the smart dining room table, but she self-effacingly plays down their role in the accomplish­ed whole. “Get the architectu­re and the design right – and Joe has taken care of that – and all it really needs is a coffee table book or a vase to finish it off.”

Both say they keep pinching themselves. “We didn’t grow up in houses like this,” says Guy. “Every day, we look at each other and say, ‘Why is this us?’ But there is beauty in feeling like an alien in your own space. You never fail to appreciate it.”

“Emotion comes into it,” adds Jules. “It’s somewhere that you can raise children, invite friends and family. This is our home, beautiful and perfect. I love watching the flow of it and seeing where people land.” All that opens and shuts is automated, which the couple are still adapting to. “I thought it would be overwhelmi­ng, but it’s easy to set up. I get nerdy. Everything’s voice-activated,” says The Voice judge Guy with just a little irony. snellarchi­tects.com.au View the Belle exclusive home tour at homestolov­e.com.au/guysebasti­an.

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