Belle

Vogue traders

- Photograph­y KRISTINA SOLJO

Jeremy Bowker and Phoebe Nicol of vintage emporium The Vault Sydney keep their eyes peeled for conversati­on

starters and wares with a storied past.

WHAT WERE YOUR EARLY CREATIVE INFLUENCES? Phoebe Nicol: I had creative freedom and was aware of design from a very early age. My mother is an interior designer so decorating is in my blood. She allowed me to furnish and decorate my own bedroom. I remember the pure excitement of such freedom and banging furniture together at all hours. Jeremy Bowker: Before moving to Australia I never imagined I would end up an antiques dealer. The late Martyn Cook is the person I owe for what I am now. He provided a great framework for me in understand­ing art and antiques. He was an incredible mentor and one of Australia’s most respected dealers. WHAT INFORMS YOUR APPROACH TO COLLECTING? PN: We’re a good team. I’m an emotional buyer and fall head over heels. Jeremy is more considered; he likes to know the provenance of a piece and its integrity. HOW WOULD YOU DESCRIBE YOUR APPROACH TO INTERIOR DESIGN? PN: I respect tradition but have a desire for modernity. A home needs to have soul. My basic checklist is style, comfort and quality.

IS THERE A COMMON ETHOS THAT RUNS THROUGH YOUR WORK? PN: It’s about curation, the juxtaposit­ion of ideas, styles and materials; crosspolli­nating the past with the present; keeping the eye interested. People want pieces that create conversati­on. JB: We aspire to build a collection of interestin­g and eclectic pieces, and we aim to be approachab­le.

WHAT APPEALED TO YOU ABOUT YOUR SPACE? PN: We quickly saw past the hideous purple walls and grey carpet. The vast space and high ceilings really appealed – and the rent was cheap!

YOUR FAVOURITE PIECES ON THE FLOOR? PN: The 19th-century green and gilt columns (pictured opposite) I had to beg the dealer to sell to me. JB: The Italian Charles X painted dresser. It’s a fun and unusual piece. ARE THERE ANY PIECES YOU WOULD LOVE TO SOURCE? PN: My eyes are peeled for an Italian neoclassic­al painted bookcase. JB: I’d love the François Xavier Lalanne ‘Hippopotam­us Bar’ – something to aspire to! IS THERE AN ERA OR STYLE THAT RESONATES WITH YOU? PN: The symmetry and elegance of Georgian architectu­re. JB: The Directoire period with its elegant lines; it’s a little more humble than Louis XVI. WHICH DESIGNERS, ARTISTS AND ARCHITECTS DO YOU ADMIRE? PN: Both our contempora­ries and the icons of our profession, including Sister Parish, Mies van der Rohe and Joseph Dirand. I have always adored Axel Vervoordt. JB: Carlton Hobbs, a New York antique dealer, is particular­ly inspiratio­nal. He offers museum-quality pieces that are often whimsical or unusual with a sound academic footing.

WHAT PROJECTS ARE YOU LOOKING FORWARD TO? PN: The complete renovation of a terrace on Queen Street. We’re also getting married in May – that’s a project in itself! JB: We are looking forward to returning to France and, with hope, Italy. thevaultsy­dney.com

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Opposite page
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Louis XVI period mirror and marble console. Viola marble-topped console in Louis XVI-style with giltwood gaming chair by James Mont. French gilt and marbleised bookcase with white and Sienna marble urn. Large French faux tortoisesh­ell octagonal mirror above an art deco oak table. Jeremy Bowker and Phoebe Nicol in The Vault showroom with green and gilt columns and armchair with ball detail, both 19th century. Flemish verdure tapestry and Spanish console table, both 18th century.
This page, clockwise from top left Italian Louis XVI period mirror and marble console. Viola marble-topped console in Louis XVI-style with giltwood gaming chair by James Mont. French gilt and marbleised bookcase with white and Sienna marble urn. Large French faux tortoisesh­ell octagonal mirror above an art deco oak table. Jeremy Bowker and Phoebe Nicol in The Vault showroom with green and gilt columns and armchair with ball detail, both 19th century. Flemish verdure tapestry and Spanish console table, both 18th century.

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