Parts unknown

New bodies of work to probe and peruse.

Decapitation seems an appropriate motif for artist Lillian O’Neil, given her epic collages are formed through a cut-up technique that sees pre-digital pictures from a fastidiously compiled archive spliced and sutured into compelling new stories. “The cut is to interrupt, to disarm literally and figuratively,” writes Judy Annear in the text accompanying Lillian’s new series ‘Soft Demand’, which includes Sleeping stones (left). Until November 28. thecommercialgallery.com