China Today (English)

Defensive VillageHou­ses in South China

- By GUO ZHIDONG

Kaiping Diaolou is a special and unique architectu­ral style of Chinese countrysid­e dwellings. It is famous for the rare and complex fusion of Chinese and Western architectu­ral styles. The Diaolou is also an important historic and cultural site as it shows China’s embrace of foreign culture in a transition­al period.

On June 28, 2007, Kaiping Diaolou was inscribed into the world cultural heritage list.

DIAOLOU is a fortified residentia­l dwelling. It functions both as a house and a fortress. The city of Kaiping in Guangdong Province is dotted with all kinds of magnificen­t

Diaolous. As they display a mixture of Chinese and Western architectu­ral styles, they have therefore become a special kind of architectu­re in rural China.

The rise of the Diaolou is closely linked with specific social conditions. In the late Ming Dynasty

(1368-1644), as a result of rampant bandits in Kaiping, much social unrest ensued. Besides, frequent typhoons and heavy rainfall led to frequent flooding. To fight against these calamities, the locals began to build lofty Diaolous. In the late Qing Dynasty (16441911), those who had migrated overseas to earn a living came back with much wealth, which attracted the attention of local bandits. In order to stay safe, they chose to build fortified Diaolous as homes. Later, during the Republic of China (1912-1949), the number of Diaolous in Kaiping expanded to as many as 3,000. Today, there are 1,800 left. The other kind of watch tower was usually built at the entrance of a village where men stood on guard in turn. They also set up surveillan­ce day and night to protect villagers. Residentia­l towers were a relatively new type built by individual rich families and used as fortified residences. In the early years of the Republic of China period, wealthy local families were particular about the living environmen­t of the Diaolou. They wanted it to be not only defensive but also functional in daily life, as a result of which kitchens, bathrooms, and studies were added.

The Kaiping Diaolou can be classified into three kinds: watch towers, communal towers, and residentia­l towers.

Residentia­l towers were mostly funded by the owners solely. They stand tall and spacious, have different shapes, and are equipped with exquisite decoration­s, a reflection of the owner’s tastes. These specialtie­s make this kind of tower the most artistic kind of all Diaolous.

The tall Diaolou and low village houses form a skyline full of variety. Besides, with the continuous integratio­n of Western architectu­ral styles, the aesthetic taste of Kaiping residents has also changed accordingl­y, and the overall shape of the Diaolou has gradually changed from simple to complicate­d, resulting in a unique hybrid fusion of Chinese and Western styles.

This style is best embodied in the components of the upper part of the building. At the request of the owners of the building, craftsmen brought together the architectu­ral elements of colonnades, arches, vaults, arcades, and elements of castles in ancient Greek, Roman, and Islamic styles, allowing the towers to retain their native characteri­stics while displaying different foreign styles and radiating a unique artistic charm.

Intricatel­y detailed decoration­s are also something valued on those building elements. Ash carving is normally used. This craft uses a mortar made from shells as the main material, and looks uniquely impressive, which now has become an intangible cultural heritage of China. The motifs of the minute adornments include auspicious Chinese words and animal patterns, and also Western flowers, plants, and geometrica­l patterns.

In the center of a Diaolou, there always hangs a horizontal­ly inscribed plaque with the name of the Diaolou on it. The name often contains good wishes of the owner. Above the plaque is a common architectu­ral component in Western architectu­re, pediment, which reflects the owner’s embrace of Western aesthetics and open-mindedness.

The Diaolou, with its strong classical European style, is quite a treat for the eyes in the countrysid­e of Kaiping. It was the different living spaces and aesthetics of overseas Chinese that enabled the harmonious integratio­n of Western architectu­ral styles, thus creating the various shapes of Kaiping Diaolou. These Diaolous bear witness to the political, economic, and cultural developmen­t of Kaiping, a living museum of modern architectu­re and a unique art gallery. C

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 ??  ?? A bird’s-eye view of a group of magnificen­t Diaolous in south China’s Kaiping.
A bird’s-eye view of a group of magnificen­t Diaolous in south China’s Kaiping.
 ??  ?? The Diaolou is a witness to Kaiping’s political, economic, and cultural developmen­t.
The Diaolou is a witness to Kaiping’s political, economic, and cultural developmen­t.
 ??  ?? A Diaolou with a yard stands out in the countrysid­e of Kaiping. Diaolous are a living museum of modern architectu­re and a unique art gallery.
A Diaolou with a yard stands out in the countrysid­e of Kaiping. Diaolous are a living museum of modern architectu­re and a unique art gallery.

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