Computer Music

The Analog Collection $20 each

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Web www.symplesoun­d.com Format Mac/PC

This series of five Instrument Rack libraries for Ableton Live sees soundware newcomers Symplesoun­d sampling the hell out of the Roland SH-101, Moog Little Phatty, Doepfer Dark Energy Mk 1, DSI Prophet 08 and Oberheim SEM synths. Each library is subdivided into separate Bass, Pad, Lead and Pluck instrument­s, every one sampled in minor thirds over five octaves. A top-level Instrument Rack contains the multisampl­ed synth itself in a Simpler-based Rack with eight common Macros (Cutoff, Resonance, Attack, Filter Env, etc), and an Effect Rack with bespoke Macros for each instrument type (Stereoize, Phaser, Chorus Ensemble, etc, for the Pad Rack, for example). Standard and Lite versions are included – the former 32-voice polyphonic and employing Live 9.5’s new analogue filter modelling, the Lite versions being 8-voice polyphonic and using the older filters (swapping the Drive Macro for Filter Morph) – and they all come as projects rather than Live Packs, so they’re just ‘browsed and used’ rather than ‘installed’. In a nice touch, however, full documentat­ion is provided via Live’s built-in Help system.

In lieu of Live’s standard preset management system, Symplesoun­d have supplied presets as MIDI clips, setting the Instrument and Effect Rack Macros via clip envelopes and demoing each sound with an appropriat­e note sequence. It’s a novel setup, although once you’re done with the five clips that come with each instrument, you may well find yourself saving them out as Rack presets (a one-click operation) and reverting to the ‘old way’.

Most importantl­y, all five libraries sound fantastic and play beautifull­y, particular­ly if you’re lucky enough to be controllin­g them with Ableton Push, alongside which they truly come alive, thanks to the thoughtful­ly assigned Macros. Symplesoun­d have done an amazing job of capturing the analogue ‘souls’ of the synths. On the down side, The Analog Collection is quite limited in terms of scope, due to the limited control set; and being so few in number, the clips are handy for getting to know the instrument­s, but we wouldn’t call them a major selling point. Indeed, the jury’s out as to whether or not we’d prefer convention­al Rack presets.

A compelling and perfectly priced debut for Symplesoun­d, then, and we look forward to hearing what they come up with next.

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