Computer Music - 2017-10-04

• EASY GUIDE
• Audiority XenoVerb
• Reverb round-up
• SoundSpot Oracle
• Nuspace Aeko
• PSP Audioware Nexcellenc­e
• Rob Papen RP-Verb 2
• iZotope Spire Studio
• Brainworx bx_console G
• IK Multimedia Ampeg SVX 2
• Get with the programmer­s
• Blue Cat Audio Late Replies
• Beatskillz LoopBazaar
• IK Multimedia iRig Keys I/O & Mic HD 2
• Kuassa Efektor Modulation Bundle
• 10 years back
• Ins & outs
• Melda Production MFreeform Phase
• CLASSIC FREE SOFTWARE
• Auburn Sounds Graillon
• Stone Voices PolyGAS
• TSE Audio BOD 3.0
• What’s on your hard drive? Showtek
• Which element of producing music do you find the most enjoyable?
• FEATURED LABELS
• BEATMAN & LUDMILLA ELECTRO BREAKS
• MJ COLE UK GARAGE & HOUSE
• The science of bass
• How low can you go?
• Bass in the studio
• Inside every bass note…
• Bass on small speakers
• Stress to compress
• > Step by step
• Bass guitar in the box
• Modern plugins for leading-edge bass guitar
• LEGENDARY BASS SYNTHS MOOG MINIMOOG
• ROLAND SH-101
• ROLAND TB-303 BASS LINE
• SEQUENTIAL CIRCUITS PRO ONE
• Oberheim – the perfect partner
• > Step by step
• > Step by step
• > Step by step
• Three great iOS bass synths
• Synthesisi­ng modern bass
• > Step by step
• > Step by step
• 10. Putting together a gliding, detuned Reese bass
• > Step by step 12. Filtered supersaw Reese
• 11. A responsive keytrackin­g Reese bass
• 13. Six unusual tactics for bass design
• Creative bass sources
• 16. Grimey, distorted 808s
• Reverb-drenched techno bass
• Merging and melding basses
• Demonstrat­ing premaster problems
• Break it to make it…
• Break’s limiter shoot-out
• Loudness: first or last?
• Master metering
• Fixing bloat with multiband compressio­n
• Charlie’s top-end excitement trick
• The dangers of high-pass filtering
• FIND OUT MORE
• CREATIVE STRATEGIES WITH INSIDEINFO
• Paul’s power template
• Sample-gathering
• Sonic fun with Falcon
• Sampling every move
• Patch days
• Morphin’ time
• Break-building recipes
• Project management
• THE VANGUARD PROJECT
• A layered beat to set the pace
• Building up the bassline
• Vocal shakes and transition­ing with delay
• Charity shop vibes
• Taking a razor blade to the track’s vocal hook
• The build-up and main loop
• Intro evaluation
• The duo’s studio essentials
• Breakdown
• Second drop
• PHACE & MEFJUS
• HUGO MASSIEN
• InValve 2 Effects
• > Step by step
• > Step by step
• > Step by step
• LOW-END MIXING TACTICS
• > Step by step
• > Step by step
• Compose yourself…
• 4. Super-solid subs
• 5. Midrange management
• 3. Sub club
• > Step by step
• Weight watchers
• 9. Kick and bass balancing
• 3 essential EQs for boosting bass
• 8. Polarity-flipping
• 7. Square bass, round mix…
• Eight bass-balancing tips
• >Step by step
• RECOMMENDE­D LISTENING
• Dave Clews
• >Step by step
• Gritty layered bass
• >Step by step
• Ronan Macdonald
• THOMAS GOLD
• Get that Golden bass
• NI MASCHINE MK3
• Our promise
• Wired for sound
• Strip club
• Superior Drummer 3
• Drum kit from heaven
• The Tracker
• Alternativ­ely
• Syntronik £300
• Multiple choice
• Alternativ­ely
• UltraTap $79
• Alternativ­ely
• QuatroMod $49
• IMono/Poly
• Divergent Audio Group Chordscape £75
• Jazz Master – Keys £40
• Dark Garage 2 £35
• Sculptor: Epic Drops £55
• Synthology €49
• Nightmares of Drum and Bass Subscripti­on
• Old School Hip Hop £25
• Distant Lights £67
• Jump Up DnB 2 £20
• Vaportrap £35
• Decoded Forms £44
• June Miller – The Definitive DnB Collection £35
• Afterglow £18
• Chilled Electronic­a - Part 2
• Bonus Loopmaster­s samples
• CM PLUGINS TUTORIAL BANK
• Loading plugins in your DAW
• Plugin folder locations
• Boss DR-110

Computer Music - 2017-09-07

Computer Music - 2017-11-01