Master blaster
aren’t specified. The coverage is very much as expected, though, with quite a bit of crossover between bands for ‘musical’ EQing. The dynamics-shaping processes going on within bx_masterdesk are set up and calibrated so that you should rarely need to reach beyond the Volume, Foundation and Tone controls to get your master sounding loud and consistent. However, there are a few other tweaks that can be made if required.
The Comp Mix knob dials the dry signal back in alongside its compressed counterpart for parallel processing, or bypasses the compression altogether. Once again, the options available are deliberately narrowed – from 85-100% wet, or Off – so as to keep everything mastering-appropriate, and it’s handy for reintroducing a bit of dynamic range. The collar around the Comp Mix knob meters the gain reduction for the left and right channels separately – activate the Comp Link button to have both channels compress evenly, should you ever need them to.
The De-esser, meanwhile, is great for reducing harshness and sibilance. This, too, is collared with a gain reduction meter, and includes a Solo button for isolating the signal being attenuated.
Further taming of undesirable signals can be done in the Resonance Filters section. Here, fixed-gain cuts are applied to two of four potentially problematic resonant frequency ranges – 160Hz or 315Hz, and 3150Hz or 6666 Hz – using the Low and High switches. Discernment as to whether or not these frequencies need zapping is aided by the Auto Solo button, which facilitates isolation of each by click-holding.
In the M/S section, the Mono Maker knob ‘mono-ises’ everything below anywhere from 20-300Hz, and Stereo Enhance uses a proprietary new Brainworx algorithm to boost or attenuate ‘musical’ material in the stereo sides signal. The latter is one of our favourite features – wonderfully effective at gently hyping the panorama – and we look forward to seeing it again in future bx plugins.
Finally, at the very end of the signal path sits a brickwall limiter, with the associated Turbo button providing an optional extra 1dB boost for heavier masters.
Mastering for all
bx_masterdesk is a hugely impressive ‘instant mastering’ solution that any musician or producer without the funds to hire a professional mastering engineer, or the knowledge and experience to handle a regular component-based mastering chain, will find an absolute godsend for finalising. It’s ridiculously easy to use, every one of its modules sounds superb; and – with the exception of the puzzlingly feisty Foundation EQ – the way it’s been designed makes it noticeably less open to inadvertent over-application than other similar plugins. That’s not to suggest that you don’t still need to have at least a basic understanding and appreciation of the impact your adjustments are having on the sound, of course, but bx_ masterdesk really does make it reassuringly hard to go wrong.
“Stereo Enhance is one of our favourite features – wonderfully effective at gently hyping the panorama”