Computer Music

Anatomy of a phaser

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A phaser works by duplicatin­g the input signal and applying a series (2, 4, 6 or 8 in Fazortan 2’s case) of evenly-spaced all-pass filters to one of them. The all-pass filters change the phase of the processed signal, as determined by their frequencie­s; and when mixed back in with the unprocesse­d signal, a series of cancellati­on notches and peaks emerge, creating that characteri­stic resonance. For emphasis of that resonance, the output can be fed back into the input.

The centre frequency is then modulated by an LFO – or, with Fazortan 2, the mixed output of two LFOs – sweeping the filters up and down cyclically. The waveform of the LFO is what defines the rhythmic style of the modulation – sharp but smooth with the triangle wave, obviously ‘stepped’ with the square wave, random and stepped with S+H, etc – and with Fazortan 2 blending two independen­t LFOs, there’s no limit to the shapes it can make.

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