Computer Music

Magic EQ

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For many years now, we’ve been able to take advantage of numerous impressive ‘match EQ’ designs, with which a source signal is analysed to create a target EQ curve for applicatio­n to another signal. However, the latest developmen­ts in this area are truly changing the face of EQ and how we use it. Let’s quickly run through six prime examples.

Oeksound Soothe is a dynamic notching EQ that automatica­lly picks up resonances for effortless reduction using a depth control. A five-band sidechain EQ increases or decreases sensitivit­y to specific frequencie­s, while the difference option (Delta) lets you check what the plugin is removing.

Sonible Smart:EQ+ is an eight-band EQ plugin, the four middle bands of which employ a ‘learning’ engine to generate a detailed filter curve for resolving spectral imbalances. That process takes place in the background; all you have to do is boost or cut the four bands as much or little as you like to apply the curve.

Soundtheor­y Gullfoss is an automatic EQ that adjusts its own settings based on the frequency characteri­stics of the input signal. The user simply decides how much to suppress (Tame) the dominant frequencie­s and enhance (Recover) the less dominant ones.

SurferEQ 2 is the latest incarnatio­n of Sound Radix’s ingenious pitch-tracking equaliser. Each of its seven bands can be switched to Surf mode for tracking monophonic sounds and modifying the band frequency in real time.

Newfangled Audio’s EQuivocate ‘Auditory Paragraphi­c EQ’ is a very transparen­t graphic EQ with up to 26 frequency-adjustable bands that, by default, follow the auditory Mel scale for highly musical shaping.

Finally, HoRNet Plugins’ Thirty One is a nifty three-band EQ and analyser that also incorporat­es an Auto EQ algorithm. The latter adjusts the band gains to move the overall frequency content towards an ‘ideal’ response.

“The latest developmen­ts are truly changing the face of EQ”

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