Computer Music

ARTIST INTERVIEW

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: Tell us a little about your music background? Carbinax: “It started when I was 10 when I heard Kraftwerk’s The Model. It was an epiphany – I knew I had found my music. I listened to Jarre, Vangelis, all the 80s new wave and became a big fan of Howard Jones and Depeche Mode. I had some Yamaha and Casio home keyboards, but it wasn’t until the late 80s that I got into acid house and finally Detroit techno, and it was only then that everything came together and I knew I wanted to make electronic music seriously. It still took a few years to get to the point of making it on a computer. At one point, I had a

Roland D-20 and a Fostex 4-track. Then I got a Playstatio­n and I bought a ‘game’ called Music 2000 which was incredible. It was probably my first rudimentar­y DAW, and I could load samples into it, and somehow I found out that this magazine called Computer Music also had samples on the disc, so I started buying it regularly for that. I then discovered I could do everything I imagined on a computer, so I absolutely had to get one.”

: Tell us a little about your current projects “I have zero restrictio­ns, and my imaginatio­n has absolute freedom to make whatever comes into my head. I’m currently working on 300+ tracks and I’m working on all of them simultaneo­usly! My dad is an artist and he works on multiple

 ??  ?? The machines at the heart of the Carbinax studio help him produce everything from ambient to techno
The machines at the heart of the Carbinax studio help him produce everything from ambient to techno
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