Computer Music

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5. Six home studio constructi­on tips

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1

Empty, closeable cardboard boxes can really help clean up the lowfrequen­cy response of a room. They’re just closed volumes of air that will resonate at those key frequencie­s – the bigger the box, the lower the frequency. This trick is often discovered by accident when unpacking new monitors – ever wondered why they sound worse when you tidy away the packaging?

3

Domestic walls tend to be painted plasterboa­rd, which has a natural sound that you could only describe as ‘quacky’. Patio doors and windows are equally unhelpful. Luckily, your home studio already contains just the thing for diminishin­g these unpleasant reflection­s: a duvet. Use cable ties on curtain poles or rails, and try and get the duvet a few inches away from walls if possible to maximise its effect.

5

One of the problems with killing the reflection­s of our rooms is that we then can’t get any natural ambience into the recordings we make in them. If possible, stick a mic in the bathroom or kitchen – these will be bright and bouncy-sounding rooms – then record your drums or amp in an adjoining room, with the doors open. Delay this ambient signal by a few millisecon­ds for extra ‘size’.

2

A rolled-up, stiffish rug around the kick drum delivers dual benefits. First, it can augment the low resonance and ‘note’ of the drum and help boost the bottom octave; and second, it acts as a physical barrier, so you can wind some serious top end in on your kick mic without adding high-frequency kit spill.

4

Moongel pads are small, sticky gel rectangles that you can stick to drum heads to reduce unwanted ringing and general flappiness. Most good studios will have some, but a square of jelly from your kitchen cupboard or local shop (any flavour will do) will be just as effective in helping to get that perfect snare sound.

6

Sometimes, a surprising­ly big sound can be made by a small amplifier. 1x12 combos or smaller are great for tucking away in cupboards or under stairs and miking up, so that they don’t bleed into your drum or vocal mics. The perfect place is a wardrobe filled with clothes – good isolation and no nasty room reflection­s.

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