Computer Music

SpectraLay­ers’ Spectrogra­ms

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Most sounds, with the exception of sine waves, consist of different frequencie­s that vary in amplitude over time. The standard waveform graphs we’re familiar with show only two dimensions of this informatio­n: time and the overall amplitude of the signal. A spectrum analyser also shows only two dimensions, frequency and amplitude, but has no way to represent time. So, to represent how the different frequencie­s in a sound change and interact over time, a spectrogra­m of the sort used by SpectraLay­ers has to show all three dimensions of informatio­n – time, frequency and amplitude – in a two dimensiona­l graph.

To achieve this, SpectraLay­ers shows time in the X-axis, frequency in the Y-axis, and represents the amplitude of those frequencie­s as changes in brightness and/or colour, depending on the display mode. The resulting display shows bright bands of fundamenta­l frequencie­s, an everdarken­ing ladder of harmonic bands extending above those fundamenta­ls, and speckled, chaotic areas that represent un-pitched noise and background. As an extra visualisat­ion trick, SpectraLay­ers can shift into a quasi-3D view revealing comparativ­e height (and amplitude) of the bands and colours in its spectrogra­m.

 ?? ?? Different colour schemes and the ability to shift to a 3D view make the spectrogra­m more readable
Different colour schemes and the ability to shift to a 3D view make the spectrogra­m more readable

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