Computer Music

> Step by step

Pro technique: parallel compressio­n

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1

Route the signal you want to process to a new buss, so there are two channels sending the same thing to the output, and solo the new buss. Now compress the hell out it! 3

Pull the fader right down to 0 and then un-solo it, so you’re listening to the original, uncompress­ed channel again. 2

Use very fast attack times, high ratios, and a nice low threshold. You’ll end up with something that sounds very flat, very squashed and unnatural – but has lots of compressed character. Look out as vintage emulations may add distortion – or maybe this will sound good! 4

Now gradually lift the fader for the heavily over-compressed signal and blend as much as you like of the heavily compressed version back into the mix. Make sure you have plugin delay compensati­on switched on to avoid any problems with latency.

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