Computer Music

Arps and FX

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We always applaud Arturia for coming up with a unique take on an old classic, and arguably the SQ80 needs more help than most to bring it kicking into the modern age. The modulation routings are comprehens­ive with this synth, albeit via the use of some relatively small ‘amount’ dials, but the two elements which bring something old but fresh to the SQ are the arpeggiato­r and the effects. The original SQ did boast a multi-mode sequencer, but by replacing the data entry fader with an arpeggiato­r section, Arturia have brought an immediacy to its consumptio­n. Seven

Arpeggiato­r patterns are available over the space of four octaves, coupled with sync’ing and latch modes, so you can get lost in those digitised waves for hours. The addition of a very flexible effects section, on the backend of the signal chain, allows the selection of one of 16 different effects, in up to four instances. All of the usual suspects are here, along with notable appearance­s from the likes of the much applauded Juno Chorus. Pop that onto your pad, and soon you’ll be finding yourself with another brand of facsimile, through the basic requiremen­t of a few sawtooths up front.

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